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Showing posts with label Shows. Show all posts
Showing posts with label Shows. Show all posts

Tuesday, May 26, 2009

Jim Morris Music

Jim has something in his music that everyone can like. Along with great guitar playing like Joe Satriani and up-lifting and inspirational melodic movements like Dream Theater, Jim captures the music lovers heart as well as their mind.

Jim Morris is an articulate singer/songwriter with a devotion to storytelling. Whether it is a thoughtful ballad about doomed love or an anthem to a night of drunken revelry, the listener can always count on well-crafted songs with carefully drawn characters, clever lyrics, and satirical charm.
Although Jim’s musical style is admittedly reminiscent of Jimmy Buffett and Jerry Jeff Walker, he has a knack for defying categorization. He mixes a whimsical island sound with a splash of Texas to produce a sound that is uniquely Gulf and Western.

Jim grew up in Georgia and has a heritage rich in music. His grandfather led a dance band, and everyone in the family either played an instrument or sang. At age 10 Jim taught himself to play the guitar by listening to Hank Williams records. After college (BA in English and graduate studies in English and Human Resources Management) while pursuing a career in human resources management, he continued to write songs and dream of the day when he could do it full-time. "After I graduated, I wanted to be a drifter and a writer; instead, I settled for corporate executive and closet entertainer."

During his 15-year corporate career, his job allowed him to live in several interesting locales, such as Montana, New Orleans, and St. Simons Island, all of which would figure prominently in his writing. Following a business trip during which he renewed his love affair with the southwest coast of Florida, Jim took the leap he had been contemplating for some time and left the corporate world for good.

Jim spent the subsequent years writing songs and playing gigs around Florida. From the beginning he took a big risk by featuring original music. "I spent about a year writing and developing a catalog of songs. I was unsure of my ability to sing and play the guitar professionally, but I thought my songs might separate me from the other performers."

A fortuitous meeting with recording artist Randy Matthews would result in Matthews producing Morris’ first recording, "Laid Back and Key Wasted," released in 1996 by Fish Head Music. As you would expect, each song tells a story: the title track is about a guy who gives up the corporate world for the beach; one is about the exploits of a pilot who flies contraband; another is about roadkill and the people who collect it; others tell great stories of sailing, fishing, and drinking. "After my first CD was released, I changed my focus. I stopped playing bars so much and I worked coffeehouses and bookstores. I wanted to play before a listening audience who might appreciate what I had to say. I made less money, but I started to develop a fan base."

Jim returned to the studio during the summer of 1997 to work with noted guitarist/producer Chris Hattingh. The result was "Bocanuts" which was released by Fish Head Music the following November. "Bocanuts" shows again that Jim is capable of creating memorable stories in a variety of musical moods. "With 'Bocanuts' I found a formula that I’m comfortable with and that people seem to enjoy: some tropical, some jazz, some country, some acoustic folk, and some humor. It certainly reflects my musical tastes."

With the success of "Bocanuts" and a growing catalog of songs, Jim decided to release a CD every year. In November of 1998 he was back with Hattingh recording "Looking for a Place to Happen" which was released in February 1999. "The CD didn’t turn out exactly as planned," says Morris. "Several songs I was hoping to include were not as good as I wanted them to be. Sensing my frustration, my wife, Sharon, sat me down with a list of my songs and pointed out a lot of songs I had neglected. Consequently, songs like "What Kind of Fool Can I Be," "The Hammock Club," "Gatsby Dreams," and "Sometimes I Wish" were added." "Looking for a Place to Happen" became the most critically acclaimed CD to date. Hattingh had little doubt that the CD would be successful. "As soon as we listened to the final mix, I knew that Jim had topped his other CDs. For a CD with a variety of musical styles, it had such an amazing continuity."

Following the release of "Looking for a Place to Happen," the pressure grew to perform more outside the state of Florida. "I wanted to be a 'lifestyle artist,' fishing by day and playing music by night. But I also wanted to broaden my fan base, so I hit the road a bit." He also formed the Big Bamboo Band in order to capture the full sound of his CDs in live performances. "Playing with the Big Bamboo Band required more discipline and concentration than playing solo. It took a while to get used to it. Playing with a band is like playing team sports, and you get the same feelings after a tight performance that you do when you win the big game."

True to his plan to produce a CD every year, December 1999 found Jim back in the studio working on his fourth CD, "Bar Stools and Beach Chairs." He took a different approach this time, preferring creative spontaneity to careful planning. "I wanted to feel my way through the project and do some tweaking and changing as we went along." As it turns out "Bar Stools" may be his best effort yet. Along with his customary strong lyrics Jim has produced a work with remarkable musical diversity. Chris Hattingh knew that once again Jim had a winner. "I know that Jim felt some pressure to top "Looking for a Place to Happen," but there is something for everyone on this CD."

Jim will direct his efforts to expanding his fan base and touring with the Big Bamboo Band. He will still make time to fish and will always be on the lookout for song material. "I don’t have much to show for my years except some great experiences, and that’s what I write about – the characters I’ve met and the places I’ve been. The thing that is both satisfying and alarming is that most of it is true."

Check out some of Jims Tracks below:


Find more music like this on Sojournstar Music Industry Network


Jim will also be perfoming in Richmond Virginia on August 22, 2009 with Sunny Jim for
Stars On The Water. Time to be announced.

The excerpts here are from Jims website Jim Morris Music! where you will also find full tour schedules and more.

You can also find Jim on the Sojournstar Music Industry Network
Jim Morris Network Profile!

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Wednesday, May 13, 2009

BEFORE THE MACHINE PICKS UP STEAM.

By Crystal Snyder

Far down West Broad Street 11:00pm is oddly quiet for a Friday night in Richmond, cars come and go, few people walk the street, but in their hurried rush to get to various clubs and bars they miss my destination, a small pool hall called The Triple.

Upon approaching this unlikely venue, I see several familiar faces, one in particular of the man who had me coming out here in the first place, Seth Nicholls (also of Red Clay Village). Seth was excited, I could tell that from down the street, and his voice belied his cool demeanor as we talked before entering the club. He told me about the bands that were playing that night, and about his new band, the one I came to see, Before the Machine.

I quickly took stock of my surroundings as we entered the bar, blood red walls, a cool tile floor, billiards in the back, and the familiar smell of alcohol and cigarette smoke encompassed my senses, as the first bands music assaulted my ears. I looked for the familiar faces I had seen outside, the other members of Before the Machine, Johnny Throckmorton, Jeb Mease, Chris Ratterree and Mike Lester. Knowing the superb talent they showed in other bands, I felt that this new project had a lot to live up to, I knew then this was going to make for an interesting night.

As the second band took the floor, I talked to some of the other patrons of the bar, all of them excited to see Before the Machine. This was their second show, and as the second band’s set drew to a close, the tension grew thicker, almost suffocating as the guys picked up the instruments that had been so patiently waiting in the corner.

Sound check and tuning commenced as people rose from their various perches like bones rising from the dead, waiting to pass judgment. Then it happened, the first note, the first chord , and Throckmorton took the mic. With a quick shout out of “What’s up RICHMOND?!?!?” Before the Machine had arrived, and even in the Intro it was apparent they were at no less than 110%.

As they slipped into “Blissful“, “Mikie’s Song” and “Eye if the World“, the crowd reaction went from swaying bodies and nodding heads to a full on mosh pit. Mease’s drumming was right on, never once skipping a beat, the phenomenal guitar work of Ratterree and Lester surpassed my expectations, and Nicholls’s bass work rounded out the whole outstanding package.

They ended the night with “Silent Movie” and “The New Song”. Even as the clock approached 2:00am all five members never lost the breakout energy of the Intro. Before the Machine is a ton of talent a mile outside of the box and a live show should not be missed, find out where you can catch them next near you on their MySpace Page!


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Wednesday, March 25, 2009

Morrissey and Mia Riddle

Christy Sheppard
Richmond.com
Thursday, March 19, 2009
Scene + Heard Concert Review: Morrissey at the National and Mia Riddle at Poe's

Sometimes you look forward to a show for a long time and you end up disappointed. Sometimes you hear a band's recorded music and are bummed when you hear them live. Sometimes, though, reality exceeds your expectations.

I saw two shows last week that were excellent. I see a lot of shows. Shows about which I don't usually care enough to write.

These two shows I didn't want to let fade from my ever-waning memory without putting down in writing for all of you (and all of the world!) to see. Hey, I'm a giver.

First, I caught Mia Riddle and Her Band as they stopped through Richmond via Poe's Pub on their way to Austin's SXSW, promoting their album, Tumble and Drag.

I arrived around 8:15 (because I thought the show as supposed to start at 8) and around 10 o'clock all preparation was complete and Mia's band was ready to go.

I'd been listening to their myspace playlist for a few days prior to the event because I never like going to show completely in the blind, and Mia's band is new to me. She sounded just as great in person as she did in recording. She was pop and she was rock, and she was a little country ... a delightful mixture.

Mia's voice continually reminded me of Jenny Lewis'; a comparison most would welcome. Although she did sound a little raspy and admitted she was battling a cold, it didn't distract from her performance and her voice was strong and pleasant.

I don't know if you've ever seen a show at Poe's but the "stage" is rather small. On several occasions I felt like the band really wanted to rock out but were hindered by the size of the stage. Despite the space limitations, they made the most of the night, and our attention spans.

Everyone but Dave Wyss (bass) had a mic; geez, he must really be a bad singer, huh? I kid.

The rest of the band consisted of Amy Merrill (keys, back-up vocals), Dan Barry (guitar, back-up vocals) and Jeff Neuberger (drums, back-up vocals). Mia stuck to singing and the guitar although she also plays the glockenspiel and keys.

Amy and Mia harmonized well and sounded sweet together. At the risk of sounding creepy, Amy had these super delicate fingers that looked as if they were sculpted just for the keys or for rescuing objects that have fallen into really tight spaces (or for stealing food from the vending machine). She had a funny smirk on her face that lasted most of the set. Apparently we were all having a great time.

As a testament to their songwriting skills, I recognized "Grandchildren", "City Song" and "Open Wide" right away and (happily) was even able to sing along.

In red flats that matched Amy's keyboard, Mia stomped and played her way though the set. I'm compelled to liken her to actor-turned-singer Zooey Deschanel; but Mia has a stonger voice and she's cuter, too. Sorry, I'm only into She & Him sans the "She &" part.

This was the first stop on their tour, so naturally they had a few blips here and there but they easily laughed them off. I've seen bands make a big deal out of mistakes and, frankly, peeps, most of us won't notice unless you don't call attention to your screw-ups.

I kept thinking to myself that this little performance deserved more of an audience and perhaps a larger venue. I won't complain, though, I'm glad they stopped by and I'm hoping they'll return. Maybe one day soon, they'll have ample opportunity to show off their talent to larger crowds.

Check out their video for "Open Wide" on YouTube.

The next night, myself and a few friends ventured our way out to the National to see the legendary Morrissey.

I've said this before, but I've never been a really big fan of his or of the Smiths, the band he used to front. This only means I had no idea what to expect and that I was blown away by what I saw and heard.

The guy is pushing 50 and he ran that stage like it was his, umm ... let's just say he showed everyone who was boss. Looking like a mixture between Dr. Troy McNamara (Nip/Tuck) and Robin Williams (in looks and in stage presence, respectively) he commanded the attention of every face in the crowd.

The stage was set up so the Moz had plenty of space to stalk around, whipping the mic cord to and fro. Picture a bullfighter with his cape ... with imaginary bulls coming at him from every direction.

I recognized more songs than I'd expected to, and when that insane riff from "How Soon Is Now?" started, nearly everyone in the sold out crowd of 1,500 took to their feet.

As big a ham as Morrissey was, his band wasn't leaving without making its presence felt. Drummer Matt Walker rocked an impressive set of drums that included an 18-wheeler-tire-sized bass and even a gong. Chris Bopst said recently, "The larger the drum set, the more likely the band is going blow." Sorry, Chris, but in at least this instance, that argument fails. (read the article here)

Moz sang the line 'But then you open your eyes and you see someone that you physically despise' from "Let Me Kiss You" at the precise moment he decided to remove shirt number two of three for the evening (if the timing was unintentional I'll eat my chucks). He'd already briefly left the stage long enough to change from a blue and white checkered print into the black dress shirt he was currently removing.

When he took off said black dress shirt, it was just too much for one excited fan to handle. This super-fan squeezed his way through a team of scowling security guards and chased Morrissey off-stage, dragging annoyed staff-members along with him. In line with the theme of the night (Morrissey is touring in support of his latest album, Years of Refusal), this eager-beaver wasn't giving up without a fight.

An unphased Morrissey reappeared in less than 5; donning another button-down ... this one pink.

Everything about the show was huge: the sound, the production, the enthusiasm, the egos.

All week I'd been a little skeptical as to whether he'd even show up (many shows had been cancelled prior to this one). Luckily he didn't let us down. Maybe he showed because it was Friday the 13th, maybe not. Whatever the reason, I'm glad I was there.

Morrissey on myspace | Mia Riddle on myspace


NOTE: Christy Sheppard is an established writer with publications like Richmond.com and was kind enough to share this article with us. We look forward to many more of Christy Sheppards writing contributions. Keep watching.

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Sunday, February 15, 2009

BO-STEVENS & GOJIRA-X AT WONDERLAND

THE BO-STEVENS & GOJIRA-X AT WONDERLAND 1/7/09
CRUMPS BIG BIRTHDAY BASH

BY CINDY JOHNSON

Tonight takes us to Wonderland. Just when I thought my “bottom dweller” days were past me, they pull me back in! Shockoe Bottom is still the inconvenient pain it’s always been, but parking aside, this was a special occasion. A double birthday celebration for my friends Sarah and Crump, singer for Gojira-X.

The bar quickly began to fill with many friends and fans of both bands. The Bo-Stevens are a band from Winston-Salem, NC and are local favorites in the RVA area. As I have been known to repeat, I am a sucker for an upright bass and I was in for a double treat. Not only did the Bo-Stevens have an upright bass player named Billie, but Billie is a badass lady who knows how to slap the crap out of a bass. Along with Billie, there is Jeff Shu who plays the pedal steel guitar and mandolin, which made this band a bit of a dream come true for an authentic music lover as myself.

The band has gone through lineup changes since they started, but seem to play as if they’ve been together for years. The songs are country for the most part, with just a hint of rockabilly to make it danceable. With songs like “Honky Tonk Saturday Night”, “Lace”, “I’m Over You”, and “12 Ounces” you get to hear plenty of drinking songs that resulted in a definite crowd pleaser. This was my first Bo-Stevens show and I hope to see them again soon , hopefully at Cash Bash, a festival they are hosting February 27th & 28th in Winston-Salem playing along with Gojira-X and other bands.

To read more about The Bo-Stevens, visit their website: www.thebostevens.com

Band Members: Richard Boyd – vocals, guitar
Gregg Bell – guitar
Jeff Shu – vocals, pedal steel guitar, mandolin
Billie Feather – upright bass
The Rev. Douglas Hawkins – drums

After the Bo-Stevens left the stage, all normalcy went out the window. The next band, Gojira-X, describes their sound as “a strange and unique bland of hardcore, metal, punk and surf, with a heavy dose of Ed Wood, Roger Corman and John Waters, Etc.” Are you interested yet? The funny thing is the bands description of themselves is pretty accurate. It is definitely a show you find yourself participating in. But for an Elvis lover like me, they had me at “Suspicious Minds” and “Don’t Be Cruel”. They played the Elvis card and it was done in perfect taste and obvious love for the King. But along with Elvis and other covers, there were the bands original material with titles “Cheese”, “One Hot Mess”, “It Lives”, etc. focusing mostly on women and what to do with them. There was a lot of dancing, dancing on booth ledges, and general good times had by all. It was a very fun show and I think Crump is my new front man to beat, and that’s saying a mouthful!
To read more about Gojira-X visit their website: Gojira-X

Band Members: Crumpy C – lead vocals
Dirk Laguna – bass
Eddie McTastic – lead guitar
Crash Rockingham - keyboards



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Wednesday, February 4, 2009

GET LOST WITH AMERICANA

THE LOST SOULS & THE MUCKRAKES @ THE TRIPLE 1/30/09

Submitted by Cindy Johnson

I decided to change my pace a little and commit to an evening of a wildly growing brand of music called “Americana”. It’s a little folk, a little country with some bluegrass mixed in for flavor. I keep hearing this type of sound called “roots” music, but to me, it’s all relative to keeping it real. No gimmicks, no weird outfits, just good music from yesterday and today. That set the pace throughout the evening with two very talented and spirited bands – one a duo, the other a small army.

Gray Gurkin and the Lost Souls started off the evening. They were missing one Lost Soul reducing them to a duo with their drummer, Chip Farnsworth, and singer, guitarist, Gray Gurkin, who has carved out quite a name for himself as a solo artist, but he obviously thrives with his band, no matter how small.

The Lost Souls are very professional and know how to put on a show. Gray Gurkin interacts with the audience and makes them feel appreciated. The originals songs are both upbeat and spirited, even the sad ones. Gray Gurkin has a powerful voice and he’s not afraid to use it, coupled with that Dwight Yokam bounce when he plays, and you have a great front man and a wonderful sounding band. All the members of The Lost Souls are from Virginia and have played with many other successful bands through the years and it shows. The bands original songs include “Matchbox”, “Wildflower”, and “Sunday Morning”.

Band Members:
Gray Gurkin: Lead vocals, guitar
Chip Farnsworth: Drums
Turtle: Bass and backing vocals

Website: The Lost Souls and Gray Gurkin


The Muckrakes took the stage by storm a while later and I could barely believe the head count on that stage. The band has 7 current members who all play a variety of different instruments, including my personal favorite, the lap steel guitar and rub board. It gave the band personality to play such vibrant instruments and the combination of harmonies and blend of music swept you away to another time when things were simple. I think this type of music is really needed right now to get our priorities back in line and see the simple beauty in things. That’s what this music gives you, simple beauty, and I was definitely in need of some.

The Muckrakes formed in October of 2008 in Newport News, VA after some lineup changes have their current band. Their songs include “Young and Crazy”, “What Does She Have to Say” and “Until They’re Gone”.


Band Members:
Melissa Troutman: vocals
Matt Minguez – violin
Jon Owings – vocals, mandolin, banjo
Dave Jackson – drums
Cory Nealon – Lap steel guitar, dobro guitar
Spider Turner – guitar
Billy Englan - bass

Website: The Muckrakes

The Muckrakes Pics





The Lost Souls Pics





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Saturday, January 17, 2009

You can now find our writers on FaceBook

Yep, our writers blog has just gone live on FaceBook. Now you can see all the new articles from the feed in FaceBook. Baby we are coming up in the world.

If you have not joined FaceBook yet, or just want to find us on it, please click the badge below to enter our pages or sign up.


C. Angela Hobbs's Facebook profile
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Saturday, October 4, 2008

TOMMY 2 FINGERS and More @ THE TRIPLE

TOMMY 2 FINGERS & THE WHY NOTS, OCTANE SAINTS, AND THE RATS

@ THE TRIPLE, SAT. 9/27/08

The triple is getting quite a reputation thanks to the dynamic duo Tiffany Cale and Danny Ingram, who together make up Community Chest Booking, and are responsible for all the excitement at the Triple lately located at 3306 West Broad Street .

The Triple is quickly becoming THE place to be to see great shows and the location is convenient to most areas. And then there are the billiards, to which the neon sign outside boasts. A billiards room was the original theme of the Triple, but now you get two for the price of one. It’s a cool place with cool people taking care of you.

This Saturday night was no exception. The place was packed by the time I got there around 9:30, which told me that this was going to be a good night. Three bands performed, Tommy 2 Fingers and the Why Nots, Octane Saints, and The Rats. These bands consisted of some of the most respected musicians Richmond has to offer, and some of them I had crushes on when they were just little pups starting out back in “the day”. Okay, so I still have crushes on them, but I enjoyed my little nostalgic moment and got back to business.

The opening band was TOMMY 2 FINGERS AND THE WHY NOTS. Formed from various local bands such as Lilly Liver, Blind Brain, Sugar Creek and Uphill Down, this trio uses their punk roots together with cheeky lyrics to express their quoted “I don’t give a ….. attitude” of the genre. With songs like “All my Friends Are Dead”, “Great Personality”, “Kelly Went Gay”, and “Lapdance In Paradise”, you can conclude these guys don’t take themselves too seriously, and that’s pretty refreshing in this all consuming rock star world.

The band has written and recorded an album and is working on the second release.

You can visit Tommy 2 Fingers website at: www.tommy2fingers.com

Band Members: Joey Lasagna -guitar, vocals

Johnny Bactine – bass & background vocals

Danny Crucial – drums @ background vocals



The second band up was the OCTANE SAINTS. For me personally, the Octane Saints experience was like going back to the days when guys really enjoyed playing music together and it was always reflected in the music. This set was a joy from beginning to end. The band formed in 2001 collecting a fan base ranging from rock purists, punks, rockabilly and more. They have become regulars at various rock and roll festivals such as The Heavy Rebel Weekender and Elvisfest.

The songs from the band are no frills and catchy with titles such as “Grind”, “Daddy’s Trash”, “Tear the Meat off the Bone”, “Jailbait”, “Kitty”, “Hell Yeah”, and “Drinkin” which was a special favorite. It was a set I didn’t want to end, but I got some good butt shakin’ in for exercise.

Band Members: Jay Thurman – guitar, vocals

Rock Koplin – guitar, vocals

Tom Strel – bass

Scott Schuppert – drums

Band website: www.octanesaints.com, or www.myspace.com/octanesaints



The headlining band was THE RATS, who is mostly based in Norfolk , VA. One of my old crushes was on guitar player Dan-O, previously of Mudd Helmet, Rocket 69 and Adam West. It was kinda weird seeing how older and mature he is now. Okay, we’re old, but, damn these guys can still play.

Thanks to Jeff, the bass player, I got a brief history of The Rats. Apparently, the guitar player Eric got together with bass player Jeff and started a Ramones tribute band. It didn’t take long for them to want more and they started writing their own songs and became The Rats. They played Baltimore , D.C. , Richmond , the Outer Banks, and after a string of lead guitarists and drummers including Joey and Shon of Reverend D-Ray and the Shockers, their current drummer, Matt came along. They were led to Dan-O’s recording studio and they spent three days recording there first album, “Rats Ass”. Eventually their lead guitarist had to leave the band and Dan-O played guitar on several of the tracks they recorded for the album. Dan-O expressed an interest in joining the band and the rest is The Rats history.

The punk influences on their songs, such as “Norfolk city Rockers”, “Sellin Honey”, “Rats Ass”, Rock & Roll You Over”, “Cathcin’ Flies”, and “Sick of Being your Dog” (my personal favorite), is so strong there was actually moshing to be had in front of the stage. Yes, beer was spilled, people fell down, equipment was compromised, and the vibe was pure electricity. You couldn’t ask for anything more.

Band members: Eric – guitar, vocals

Dan-O – guitar

Jeff – bass

Matt – drums

Band website: www.snakeoilrecordings.com, www.myspace.com/thenorfolkrats


To wrap up I will just say I had a great time seeing old friends and listening to kick ass music and hope these bands continue to play and flourish, because they deserve it. Nuff said. Elvistra signing out.



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Sunday, January 27, 2008

Totaro - Free Show at Sound of Music

Please join us as TOTARO visits Richmond, VA next week!

On Friday, February 1 we will be performing live and for free at Sound of Music studios, as part of Richmond's First Friday's Artwalk series. Original paintings by band leader John Totaro will also be on display.

TOTARO recorded their latest CD, Vice Presidential Pardons, at Sound of Music. The album was produced by studio owner and Cracker singer/songwriter David Lowery.

On Saturday, February 2, we will be performing at GRANDPA EDDIES, with the phenomenal MOZELY ROSE. Matt of Mozely guested on guitar for our CD and it will be a rockin' night.

Hope to see you at one or both of our Richmond shows!

xo,
TOTARO

You can more info on this show by visiting TOTARO ON MYSPACE