Jim Morris Music

Jim has something in his music that everyone can like. Along with great guitar playing like Joe Satriani and up-lifting and inspirational melodic movements like Dream Theater, Jim captures the music lovers heart as well as their mind.

Jim Morris is an articulate singer/songwriter with a devotion to storytelling. Whether it is a thoughtful ballad about doomed love or an anthem to a night of drunken revelry, the listener can always count on well-crafted songs with carefully drawn characters, clever lyrics, and satirical charm.
Although Jim’s musical style is admittedly reminiscent of Jimmy Buffett and Jerry Jeff Walker, he has a knack for defying categorization. He mixes a whimsical island sound with a splash of Texas to produce a sound that is uniquely Gulf and Western.

Jim grew up in Georgia and has a heritage rich in music. His grandfather led a dance band, and everyone in the family either played an instrument or sang. At age 10 Jim taught himself to play the guitar by listening to Hank Williams records. After college (BA in English and graduate studies in English and Human Resources Management) while pursuing a career in human resources management, he continued to write songs and dream of the day when he could do it full-time. "After I graduated, I wanted to be a drifter and a writer; instead, I settled for corporate executive and closet entertainer."

During his 15-year corporate career, his job allowed him to live in several interesting locales, such as Montana, New Orleans, and St. Simons Island, all of which would figure prominently in his writing. Following a business trip during which he renewed his love affair with the southwest coast of Florida, Jim took the leap he had been contemplating for some time and left the corporate world for good.

Jim spent the subsequent years writing songs and playing gigs around Florida. From the beginning he took a big risk by featuring original music. "I spent about a year writing and developing a catalog of songs. I was unsure of my ability to sing and play the guitar professionally, but I thought my songs might separate me from the other performers."

A fortuitous meeting with recording artist Randy Matthews would result in Matthews producing Morris’ first recording, "Laid Back and Key Wasted," released in 1996 by Fish Head Music. As you would expect, each song tells a story: the title track is about a guy who gives up the corporate world for the beach; one is about the exploits of a pilot who flies contraband; another is about roadkill and the people who collect it; others tell great stories of sailing, fishing, and drinking. "After my first CD was released, I changed my focus. I stopped playing bars so much and I worked coffeehouses and bookstores. I wanted to play before a listening audience who might appreciate what I had to say. I made less money, but I started to develop a fan base."

Jim returned to the studio during the summer of 1997 to work with noted guitarist/producer Chris Hattingh. The result was "Bocanuts" which was released by Fish Head Music the following November. "Bocanuts" shows again that Jim is capable of creating memorable stories in a variety of musical moods. "With 'Bocanuts' I found a formula that I’m comfortable with and that people seem to enjoy: some tropical, some jazz, some country, some acoustic folk, and some humor. It certainly reflects my musical tastes."

With the success of "Bocanuts" and a growing catalog of songs, Jim decided to release a CD every year. In November of 1998 he was back with Hattingh recording "Looking for a Place to Happen" which was released in February 1999. "The CD didn’t turn out exactly as planned," says Morris. "Several songs I was hoping to include were not as good as I wanted them to be. Sensing my frustration, my wife, Sharon, sat me down with a list of my songs and pointed out a lot of songs I had neglected. Consequently, songs like "What Kind of Fool Can I Be," "The Hammock Club," "Gatsby Dreams," and "Sometimes I Wish" were added." "Looking for a Place to Happen" became the most critically acclaimed CD to date. Hattingh had little doubt that the CD would be successful. "As soon as we listened to the final mix, I knew that Jim had topped his other CDs. For a CD with a variety of musical styles, it had such an amazing continuity."

Following the release of "Looking for a Place to Happen," the pressure grew to perform more outside the state of Florida. "I wanted to be a 'lifestyle artist,' fishing by day and playing music by night. But I also wanted to broaden my fan base, so I hit the road a bit." He also formed the Big Bamboo Band in order to capture the full sound of his CDs in live performances. "Playing with the Big Bamboo Band required more discipline and concentration than playing solo. It took a while to get used to it. Playing with a band is like playing team sports, and you get the same feelings after a tight performance that you do when you win the big game."

True to his plan to produce a CD every year, December 1999 found Jim back in the studio working on his fourth CD, "Bar Stools and Beach Chairs." He took a different approach this time, preferring creative spontaneity to careful planning. "I wanted to feel my way through the project and do some tweaking and changing as we went along." As it turns out "Bar Stools" may be his best effort yet. Along with his customary strong lyrics Jim has produced a work with remarkable musical diversity. Chris Hattingh knew that once again Jim had a winner. "I know that Jim felt some pressure to top "Looking for a Place to Happen," but there is something for everyone on this CD."

Jim will direct his efforts to expanding his fan base and touring with the Big Bamboo Band. He will still make time to fish and will always be on the lookout for song material. "I don’t have much to show for my years except some great experiences, and that’s what I write about – the characters I’ve met and the places I’ve been. The thing that is both satisfying and alarming is that most of it is true."

Check out some of Jims Tracks below:


Find more music like this on Sojournstar Music Industry Network


Jim will also be perfoming in Richmond Virginia on August 22, 2009 with Sunny Jim for
Stars On The Water. Time to be announced.

The excerpts here are from Jims website Jim Morris Music! where you will also find full tour schedules and more.

You can also find Jim on the Sojournstar Music Industry Network
Jim Morris Network Profile!

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Sol from Alexandria Virginia

Band/Resource Name : Sol
Band/Resource Rep Name : 9th Floor Music


Take two scoops of Funk; throw in a heathly serving of Reggae; stir in a few large cups of deep Piedmont Blues; throw in a pinch of Latin Flavor for spice, and top it off with some Old School R&B. Shake it up and you've got the music of Sol. A venerable pan stew of groove.

Sol leads a collaboration of musicians from the southeast and mid-atlantic US. Sol and his band members are no strangers to the road.

Sol has covered much of the surface of the earth on tour, lighting up venues across North America, Europe, Australia and the Caribbean.

Sol has shared the stage with blues heavyweights such as Taj Mahal, BB King, Cootie Starks, Cool John Ferguson, John Dee Holeman, Robert Randolph, Kenny Wayne Shepherd, Derek Trucks and others.

Paying homage to the greats, Sol seeks to bring Roots Music to a new generation of listeners.

Sol's CD release entitled Freedom, features the core musical unit of Sol on guitar and vocals, King George on drums, and Jake D on bass. Also guest appearances by Tim Smith (Squirrel Nut Zippers, Hobex, and Countdown Quartet), as well as members of VA’s reggae groups the Seed and the Alliens. With these special guests, the new album moves from greasy delta grooves to deep reggae, and from stanky funk to soulful R&B.

Here's what some reviewers are saying about the new CD Freedom:

"one of the top 15 CD's of 2008!"- Green Arrow Radio (created by the Funk Soul Music Director at WHUS) placed the album alongside Sean Costello, Taj Mahal, Bill Laswell, PBS, Marcus Miller & more in top picks of 2008!

“Sol is excellent at morphing rock, blues, soul, and reggae, taking it all to a different level and contributing to the evolution of music into- quoting Sly Stone- 'a whole new thing'. Freedom is a great example of this band’s music and a truly enjoyable listening experience”- Len Comaratta- WUVT Music Director

"Sol pulls together funk, soul, blues and reggae elements...

Sol uses his right hand fingers, not a pick, to get his bluesy, dirty-sweet solo lines, and he delivers the raw and tasteful in even helpings....

You have to admire a blues/soul singer who is trying to sound like himself, instead of some old blues guy... Good Party Music... " - Tad Dickens- Press Review

"Sol pours out his heart and soul on Freedom. A must have for any music collection" - Wes Lee- Locals Only Radio (Washington DC area)

Band/Resource Website 1 : http://www.sol-roots.com
Band/Resource Website 2 : http://www.myspace.com/solblues


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BEFORE THE MACHINE PICKS UP STEAM.

By Crystal Snyder

Far down West Broad Street 11:00pm is oddly quiet for a Friday night in Richmond, cars come and go, few people walk the street, but in their hurried rush to get to various clubs and bars they miss my destination, a small pool hall called The Triple.

Upon approaching this unlikely venue, I see several familiar faces, one in particular of the man who had me coming out here in the first place, Seth Nicholls (also of Red Clay Village). Seth was excited, I could tell that from down the street, and his voice belied his cool demeanor as we talked before entering the club. He told me about the bands that were playing that night, and about his new band, the one I came to see, Before the Machine.

I quickly took stock of my surroundings as we entered the bar, blood red walls, a cool tile floor, billiards in the back, and the familiar smell of alcohol and cigarette smoke encompassed my senses, as the first bands music assaulted my ears. I looked for the familiar faces I had seen outside, the other members of Before the Machine, Johnny Throckmorton, Jeb Mease, Chris Ratterree and Mike Lester. Knowing the superb talent they showed in other bands, I felt that this new project had a lot to live up to, I knew then this was going to make for an interesting night.

As the second band took the floor, I talked to some of the other patrons of the bar, all of them excited to see Before the Machine. This was their second show, and as the second band’s set drew to a close, the tension grew thicker, almost suffocating as the guys picked up the instruments that had been so patiently waiting in the corner.

Sound check and tuning commenced as people rose from their various perches like bones rising from the dead, waiting to pass judgment. Then it happened, the first note, the first chord , and Throckmorton took the mic. With a quick shout out of “What’s up RICHMOND?!?!?” Before the Machine had arrived, and even in the Intro it was apparent they were at no less than 110%.

As they slipped into “Blissful“, “Mikie’s Song” and “Eye if the World“, the crowd reaction went from swaying bodies and nodding heads to a full on mosh pit. Mease’s drumming was right on, never once skipping a beat, the phenomenal guitar work of Ratterree and Lester surpassed my expectations, and Nicholls’s bass work rounded out the whole outstanding package.

They ended the night with “Silent Movie” and “The New Song”. Even as the clock approached 2:00am all five members never lost the breakout energy of the Intro. Before the Machine is a ton of talent a mile outside of the box and a live show should not be missed, find out where you can catch them next near you on their MySpace Page!


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Circles of Concrete: Prabir and the Substitutes!

Pop rock all around fun band Prabir and the Substitutes played nothing less than a kick ass show at Gallery 5 last night. They boys released their latest CD entitled Hello to a packed audience and turned their awesome-ness factor to 11. Not only did they play new songs from their new album as well as favorites from Five Little Pieces , they also played a few covers including "These Boots Were Made For Walking." To cap off the evening, the boys destroyed their instruments Clash-style during the finale.



Prabir and the Substitutes are on tour supporting Hello. If you get the chance to see them, do yourself a favor. Drop what you are doing and go.

To hear a clip of Who's Gonna love Ya from the album Hello, check out the link
Circles of Concrete: Prabir and the Substitutes!

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Morrissey and Mia Riddle

Christy Sheppard
Richmond.com
Thursday, March 19, 2009
Scene + Heard Concert Review: Morrissey at the National and Mia Riddle at Poe's

Sometimes you look forward to a show for a long time and you end up disappointed. Sometimes you hear a band's recorded music and are bummed when you hear them live. Sometimes, though, reality exceeds your expectations.

I saw two shows last week that were excellent. I see a lot of shows. Shows about which I don't usually care enough to write.

These two shows I didn't want to let fade from my ever-waning memory without putting down in writing for all of you (and all of the world!) to see. Hey, I'm a giver.

First, I caught Mia Riddle and Her Band as they stopped through Richmond via Poe's Pub on their way to Austin's SXSW, promoting their album, Tumble and Drag.

I arrived around 8:15 (because I thought the show as supposed to start at 8) and around 10 o'clock all preparation was complete and Mia's band was ready to go.

I'd been listening to their myspace playlist for a few days prior to the event because I never like going to show completely in the blind, and Mia's band is new to me. She sounded just as great in person as she did in recording. She was pop and she was rock, and she was a little country ... a delightful mixture.

Mia's voice continually reminded me of Jenny Lewis'; a comparison most would welcome. Although she did sound a little raspy and admitted she was battling a cold, it didn't distract from her performance and her voice was strong and pleasant.

I don't know if you've ever seen a show at Poe's but the "stage" is rather small. On several occasions I felt like the band really wanted to rock out but were hindered by the size of the stage. Despite the space limitations, they made the most of the night, and our attention spans.

Everyone but Dave Wyss (bass) had a mic; geez, he must really be a bad singer, huh? I kid.

The rest of the band consisted of Amy Merrill (keys, back-up vocals), Dan Barry (guitar, back-up vocals) and Jeff Neuberger (drums, back-up vocals). Mia stuck to singing and the guitar although she also plays the glockenspiel and keys.

Amy and Mia harmonized well and sounded sweet together. At the risk of sounding creepy, Amy had these super delicate fingers that looked as if they were sculpted just for the keys or for rescuing objects that have fallen into really tight spaces (or for stealing food from the vending machine). She had a funny smirk on her face that lasted most of the set. Apparently we were all having a great time.

As a testament to their songwriting skills, I recognized "Grandchildren", "City Song" and "Open Wide" right away and (happily) was even able to sing along.

In red flats that matched Amy's keyboard, Mia stomped and played her way though the set. I'm compelled to liken her to actor-turned-singer Zooey Deschanel; but Mia has a stonger voice and she's cuter, too. Sorry, I'm only into She & Him sans the "She &" part.

This was the first stop on their tour, so naturally they had a few blips here and there but they easily laughed them off. I've seen bands make a big deal out of mistakes and, frankly, peeps, most of us won't notice unless you don't call attention to your screw-ups.

I kept thinking to myself that this little performance deserved more of an audience and perhaps a larger venue. I won't complain, though, I'm glad they stopped by and I'm hoping they'll return. Maybe one day soon, they'll have ample opportunity to show off their talent to larger crowds.

Check out their video for "Open Wide" on YouTube.

The next night, myself and a few friends ventured our way out to the National to see the legendary Morrissey.

I've said this before, but I've never been a really big fan of his or of the Smiths, the band he used to front. This only means I had no idea what to expect and that I was blown away by what I saw and heard.

The guy is pushing 50 and he ran that stage like it was his, umm ... let's just say he showed everyone who was boss. Looking like a mixture between Dr. Troy McNamara (Nip/Tuck) and Robin Williams (in looks and in stage presence, respectively) he commanded the attention of every face in the crowd.

The stage was set up so the Moz had plenty of space to stalk around, whipping the mic cord to and fro. Picture a bullfighter with his cape ... with imaginary bulls coming at him from every direction.

I recognized more songs than I'd expected to, and when that insane riff from "How Soon Is Now?" started, nearly everyone in the sold out crowd of 1,500 took to their feet.

As big a ham as Morrissey was, his band wasn't leaving without making its presence felt. Drummer Matt Walker rocked an impressive set of drums that included an 18-wheeler-tire-sized bass and even a gong. Chris Bopst said recently, "The larger the drum set, the more likely the band is going blow." Sorry, Chris, but in at least this instance, that argument fails. (read the article here)

Moz sang the line 'But then you open your eyes and you see someone that you physically despise' from "Let Me Kiss You" at the precise moment he decided to remove shirt number two of three for the evening (if the timing was unintentional I'll eat my chucks). He'd already briefly left the stage long enough to change from a blue and white checkered print into the black dress shirt he was currently removing.

When he took off said black dress shirt, it was just too much for one excited fan to handle. This super-fan squeezed his way through a team of scowling security guards and chased Morrissey off-stage, dragging annoyed staff-members along with him. In line with the theme of the night (Morrissey is touring in support of his latest album, Years of Refusal), this eager-beaver wasn't giving up without a fight.

An unphased Morrissey reappeared in less than 5; donning another button-down ... this one pink.

Everything about the show was huge: the sound, the production, the enthusiasm, the egos.

All week I'd been a little skeptical as to whether he'd even show up (many shows had been cancelled prior to this one). Luckily he didn't let us down. Maybe he showed because it was Friday the 13th, maybe not. Whatever the reason, I'm glad I was there.

Morrissey on myspace | Mia Riddle on myspace


NOTE: Christy Sheppard is an established writer with publications like Richmond.com and was kind enough to share this article with us. We look forward to many more of Christy Sheppards writing contributions. Keep watching.

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Eric Margan And The Red Lions

by ERIC DE FONTENAY


New York-based indie-chamber rock musicians, Eric Margan & the Red Lions, present their debut release Midnight Book (March 17, 2009/Self-Released). Drawing from years of classical training and a personal devotion to modern jazz and classic rock, the talented songwriter/multi-instrumentalist/front man, Eric Margan, makes an original and sophisticated entrance with an impressive collection of 12 incredible tracks in Midnight Book.
The debut album for 22-year-old Margan resonates as a somber, theatrical novel - complete with love, tragedy, heartbreak, and revival. Midnight Book, as the title might imply, is best experienced from "cover to cover." Midnight Book delivers stellar and distinctive compositions, augmented by ensnaring and intriguing lyrical poetry, leading the listener into an introspective musical journey.

The album opens with "An Ocean Blue", a swirling, seductive tapestry of orchestral grandeur, seemingly emerging from the darkest depths of the piano and sets the stage for a colossal, metaphor-laden song cycle. As the pages of Midnight Book turn, the love story that began so triumphantly begins to unravel in Margan's "A Speckled Mind." It is here that Margan displays the delicate touch of an impressionist painter, through the juxtaposition of orchestral strings combined with a powerful yet poignant drum and bass polyrhythm.

The album's standout "Old Man River" is the turning point in the story, full of grandiose and massively cinematic crescendo. Margan's colorful plot thickens to a soaring climax, telling a story of an estranged marriage - complete with twists, turns, murder and revenge.

Margan appropriately concludes his heavy narrative with the relatively bare instrumentation of strings, piano, voice and guitar. The last notes are imminent, chords that are prepared to leave their final impression - but not without a last fighting chance.

Born and raised in Columbia County of Upstate New York, Eric Margan's musical endeavors started at just nine years old when he began studying flute. It was when he turned 14 that the hobby had become a potential career. He began treading new waters with the formation of his first band - a three-piece rock group in which he was a co-songwriter, bassist, and singer. Margan furthered his bass skills by participating in various jazz ensembles and combos throughout his high school years. Furthering his music studies, he brought together his classical training with his passion for modern rock and live performance with the addition of the talented musicians that make up the Red Lions.

A stellar line-up of musicians was assembled to augment Margan's music on stage, including drummer Jim Bertini, bassists Scott Kellerhouse and Vince Chiarito, keyboardist Zachary Seman and guitarist/flutist/vocalist Johanna Warren. Live performances and Midnight Book also feature various string, woodwind and brass players.

Eric Margan and the Red Lions are rapidly earning the respect and admiration of fans and bands alike, from opening for such acts as the Benevento Russo Duo and L.A.-based Bittersweet, to recording sessions with Pete Seeger and Richie Havens, as well as playing a multitude of shows in the Northeastern United States.

What critics have been saying about Eric Margan and the Red Lions:

"There are a number of acts that are currently creating music right now that I would call good, but I would have to downgrade them to "passable" just so I could get the proper amount of distance to the "great" that I would assess to Eric Margan & The Red Lions. "Midnight Book" should be seen as a "must-have" album…"-NeuFutur Magazine

"Elegant, sophisticated and refreshingly open-hearted, singer-guitarist Margan pens wonderfully literate and melodically inventive songs that he has orchestrated for a most unusual but oh-so effective ensemble of musicians featuring drums, bass, keyboards, violin, cello, clarinet and flute. This is Chamber music for the 21st Century, and it simply sparkles." -Greg Haymes, The Times Union

"Eric Margan's songs and aesthetic are from another time: His musical influences seem drawn entirely from before he was born. His jazz-leaning, ornate, orchestral pop is unlike anything that's come out of the Capital Region in as long as we can remember, and the band's busy gig schedule has amassed them a devoted, even defensive, fan base. Trust us: This band will be going places." -John Brodeur, Metroland

Eric Margan and the Red Lions will begin touring this spring in support of Midnight Book. The confirmed list of shows is as follows:

February 13, The College of Saint Rose, Albany, NY February 21, (PRE-CD RELEASE SHOW) The Bowery Poetry Club, New York, NY March 5, Muddy Cup, Albany, NY March 13, (CD RELEASE SHOW) Valentines, Albany, NY March 17, Banjo Jims, New York, NY March 18-22, SXSW Music Festival, Austin, TX March 30, The Living Room, New York, NY April 3, Valentines Upstairs, Albany, NY April 4, Bard College, Annadale-on-Hudson, NY

More dates will be released at Eric Margan

Eric Margan MP3



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GORGEOUS & UNKNOWN HINSON

GORGEOUS & UNKNOWN HINSON @ CANAL CLUB


It had been many years since I had been to the Canal Club and I decided to attend a show I wasn’t familiar with but I thought the subject matter would be interesting to review. At the time the only act I knew was performing that night was Unknown Hinson. I had never had the pleasure of attending any of Mr. Hinson’s shows, but many of my friends never miss him when he is in town so I decided to find out what all the fuss was about. Much to my surprise, when I walked in the door I heard familiar music and saw familiar faces on the stage during sound check. “Unknown” to me, my friends Gorgeous were opening for Unknown Hinson and suddenly the overpriced $16.50 tickets weren’t so offensive.

Gorgeous, former members of Chrome Daddy Disco, has always been in my opinion the best rockabilly/psychobilly band in Richmond, or anywhere for that matter. I have been going to their shows for well over ten years and still can’t sit still when I hear them play. Sean McClain is in my opinion the best front man on a stage. If you are looking for entertainment, look no further. Sean delivers his cocky one liners and rants along with the most passionate covers, “King Creole”, “Muleskinner Blues”, and the best of the best, “Viva Las Vegas”, plus original songs like “Bloody Valentine”, that cannot be duplicated. Many bands have tried but failed. This band is the real deal down to Jim’s pink paisley James Burton style guitar, to the solid bass and drums that pull everything together and creates the “Sonic Sound” that is the infectious Gorgeous groove. Gorgeous doesn’t play out very often, so seeing them was a real treat and I’m always looking forward to their next show. Thanks guys for giving Elvistra another chance to shake, rattle and roll!




Band Members for Gorgeous:
Sean McClain: vocals, ranting

Jim Wark: Guitar

Greg Wetherford: Drums

Kyle Christian: Bass


The main act, Unknown Hinson, the King of the Country Western Troubadours from Charlotte, NC was not the honky tonk guitar picker I assumed he was. His music is described as country/western/metal/psychobilly/cow punk. What I heard was a very talented blues oriented guitar player with quirky original songs like “Lingerie”, BarbieQ”, and “Alkyhol Withdrawl” which gives him his unique persona, and incredible covers by Hendrix and even Alice Cooper., which won me over immediately.

Unknown Hinson is not just a weird guy with a scary face, although I still can’t figure out how none of his makeup melted during the show. The man barely broke a sweat, very cool indeed. The crowd loved him and it was clear Unknown Hinson has a strong fan base in Richmond, and now I understand why. After the show Mr. Hinson greeted his fans, signed autographs and took pictures with them. He clearly appreciates his followers and treats them well.

In conclusion, the night was filled with the “Unknown”, but it was a top notch show that should’ve had a much bigger crowd to bear witness.





Be sure to check out Unknown Hinson’s CD “Target Practice”
Band website: Unknown Hinson

Band Members for Unknown Hinson:
Unknown Hinson: vocals, guitar

Roger “Tiny” Kohrs: Bass

Frank “The Tank” Sorrell: Percussion




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Video Review for Lamb of God "Set to Fail"

ON THE SET OF “SET TO FAIL”

Feb. 25, 2009
On the Set of "Set to Fail"
Author - Ayne Bales


“We need fans who are wiling to get slammed around for 12 hours in Richmond, VA on January 9.”

This was the casting call put out by RVA’s Lamb of God for their first video off the new album Wrath. They weren’t kidding either. Not only was this an extraordinary experience for the seventy or so friends and fans packed into the third floor of Sound of Music Studios, it was an exercise in endurance. Go find the largest clothes dryer you can. Put yourself, your iPod cranked as loud as it will go, a few random blunt objects (to simulate elbows and fists), and three or four pairs of sweaty gym socks into this dryer. Turn the dryer on, listen to the same song for eight hours, and you’ll start to have an idea what it was like to be in “Set to Fail”. The thing you’ll be missing is how much freaking fun it was.

Initially I figured this would be a ‘live’ shoot, with the band on a stage and the crowd in front. Instead we walked into a room with nothing but Chris’s drums on a low riser, a couple of prop amps, and plain white lighting. We were about to get up close and personal with one of the hottest metal acts out there today. Our instructions amounted to “mosh, don’t look directly into the camera, and try not to hurt the band members”.

Over the next eight hours we head-banged, slammed, crowd surfed, and generally wreaked havoc. I saw Willie accidentally give someone a black eye with his guitar. Randy broke three of my toes. We were having too much fun to care. The song absolutely rocked. If you haven’t heard it yet you need to go directly to the closest record store and pick up a copy of Wrath – you won’t be disappointed. This was a low budget shoot with only one camera, and I was impressed with not only the crowd but the video crew – they did an amazing job. Despite the close quarters and rather diverse crowd no one lost their cool, if someone went down twenty hands were there picking them up. This may have been due in part to another email sent to everyone invited to the shoot… “Don’t be a dick. Lamb of God will think you’re lame if you act like a dick.”

During our downtime I met fans from as far away as Dallas and Chicago. That’s dedication. The band members and crew were extremely gracious and friendly, as they always are. (Does Willie ever stop smiling?) Together the band and the fans made this a day no one there will soon forget. How often do you get to spend the day with your favorite band AND get to be in one of their videos? Whether you see them in the grocery store on a regular basis or only on television, it was honor to participate.

The end result is a video just as raw and gritty as the song itself. “Set to Fail” will not disappoint fans. In typical Lamb of God fashion it sounds like nothing they’ve done before, and the advances in musicianship and vocals are obvious. The new album is nothing short of amazing, even returning to the bands original instrumental roots on the opening track “The Passing”. The hometown boys continue to not only be some of the nicest guys in the business; they continue to be the best at what they do – making pure American metal.

Check out the bands MySpace Page for more!

Photo Credits – Ayne Bales and James Taylor


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GET LOST WITH AMERICANA

THE LOST SOULS & THE MUCKRAKES @ THE TRIPLE 1/30/09

Submitted by Cindy Johnson

I decided to change my pace a little and commit to an evening of a wildly growing brand of music called “Americana”. It’s a little folk, a little country with some bluegrass mixed in for flavor. I keep hearing this type of sound called “roots” music, but to me, it’s all relative to keeping it real. No gimmicks, no weird outfits, just good music from yesterday and today. That set the pace throughout the evening with two very talented and spirited bands – one a duo, the other a small army.

Gray Gurkin and the Lost Souls started off the evening. They were missing one Lost Soul reducing them to a duo with their drummer, Chip Farnsworth, and singer, guitarist, Gray Gurkin, who has carved out quite a name for himself as a solo artist, but he obviously thrives with his band, no matter how small.

The Lost Souls are very professional and know how to put on a show. Gray Gurkin interacts with the audience and makes them feel appreciated. The originals songs are both upbeat and spirited, even the sad ones. Gray Gurkin has a powerful voice and he’s not afraid to use it, coupled with that Dwight Yokam bounce when he plays, and you have a great front man and a wonderful sounding band. All the members of The Lost Souls are from Virginia and have played with many other successful bands through the years and it shows. The bands original songs include “Matchbox”, “Wildflower”, and “Sunday Morning”.

Band Members:
Gray Gurkin: Lead vocals, guitar
Chip Farnsworth: Drums
Turtle: Bass and backing vocals

Website: The Lost Souls and Gray Gurkin


The Muckrakes took the stage by storm a while later and I could barely believe the head count on that stage. The band has 7 current members who all play a variety of different instruments, including my personal favorite, the lap steel guitar and rub board. It gave the band personality to play such vibrant instruments and the combination of harmonies and blend of music swept you away to another time when things were simple. I think this type of music is really needed right now to get our priorities back in line and see the simple beauty in things. That’s what this music gives you, simple beauty, and I was definitely in need of some.

The Muckrakes formed in October of 2008 in Newport News, VA after some lineup changes have their current band. Their songs include “Young and Crazy”, “What Does She Have to Say” and “Until They’re Gone”.


Band Members:
Melissa Troutman: vocals
Matt Minguez – violin
Jon Owings – vocals, mandolin, banjo
Dave Jackson – drums
Cory Nealon – Lap steel guitar, dobro guitar
Spider Turner – guitar
Billy Englan - bass

Website: The Muckrakes

The Muckrakes Pics





The Lost Souls Pics





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Travis St.Charles

Sitting at a low table at the back of a coffee shop, I looked down at my watch and scanned the dim interior, waiting. I looked at my notes, scatted thoughts and questions I had planned out, deciding on a plan of attack. Looking up again I saw the subject of my interview. Standing at about 6'6, dressed in all black with long dark hair, he was not hard to spot. I studied him for a moment, tattoos of skulls and the like adorned his forearms, and scanning his face revealed a pierced eyebrow and lip. This was the guy all right. Not really knowing what to expect, I stood, waved him over and introduced myself.

Travis St.Charles is a young talent on the Richmond music scene, and over the next hour I learned how this laid back guitarist triumphed in the face of adversity and found his footing in creating and sharing what he loves, music.

C~ Well time to go dig in the archives of your musical life...

St.Charles- Go for it.

C~ first and foremost: How long have you been playing?

St.Charles -All together, about 7 years now.

C~ Just guitar?

St.Charles- [Nods] Mhm.

C~ Nice. When did you know that guitar was what you wanted to play?...Why not be a drummer?

St.Charles - Well, guitar was the first thing I started on. I remember being about...hm, I guess 11 or 12, my mother showed me Metallica, and I remember liking the way Kirk Hammett played, so I guess he was my main inspiration. I tried drums at one point, but I'm really terrible at multitasking, hahaha.

C~ Ha-ha. You anticipated my next question...Any other than Hammett you would like to mention?

St.Charles- Oh a few. The guy that taught me how to play, a guy named Randy Scantling, always said that if, "Kirk Hammett, Dimebag Darrell, and Chuck Schuldiner, all had a bastard love child who played guitar, it would be you." [Laughs and pauses] I don't think I'm as good as any of them, but they're definitely my main influences.

C~ Do you have any main influences outside of musicians?

St.Charles- Both of my parents, but especially my dad. It will probably make me sound like a spoiled brat, but my father always bought at least half of the gear I currently own, he was always helping me out, and was always my biggest supporter. I guess that's really it...


C~ Well we've talked about where your roots are, lets fast forward to the bands in your life. Now I know about Fall of Vanity, can I get a timeline on that one or previous bands?

St.Charles- Sure thing. I joined Fall of Vanity in...the middle of May, 2007, after my previous band, Curse The Memory, had disbanded. Fall of Vanity is definitely the biggest thing I've done so far, including a sold out battle of the bands, in July of 2008. I joined them in May, after their other guitarist had quit the band, and they had a show that weekend, so I had about 5 days to learn four songs. [laughs] That was fun...

C~ ha-ha I can imagine. And now that Fall is sadly no more you are working, or at least attempting to work on, a new band, yes?

St.Charles- Yes, I'm currently -trying- to work on a new band, [laughs]. Setbacks keep happening, but I'm as vigilant as ever, and want to keep going! Right now, it's just myself, a bass player, and a drummer, so we're at least writing songs.

C~ Have you guys come up with a name for this project?

St.Charles- At the moment, no, we don't have a name yet. We agreed that we want at least 4 or 5 songs before we do that.

C~ Writing songs, that’s always an interesting process. Between the three of you how does a song come about?

St.Charles- Between the three of us, I usually write most of the parts. Bryan, (bass) will usually come up with a way, if I'm stuck, on how to either extend a part, harmonize it, or figure out a way to go into the next part. Herbert (drums), is also good at giving suggestions like that. Hell, he figured out how to fix one part of our song the other night.

C~ How often do you guys practice?

St.Charles -At the moment, 2-3 times a week. I tend to write a lot better when I'm on my own, and then we all come together for a structure.

C~ Makes sense...Knowing the band is a fairly new and not yet a whole deal, I understand if this question is tricky, but at the moment, is there a general sound backing the songs?

St.Charles -Well, with the song we have right now, it's interesting. [chuckles and pauses] It starts off as something you might hear on an old In Flames song, and then goes into something you might hear in an As I Lay Dying song, then it goes into a groove oriented part....then back into the fast, thrashy stuff. [as an afterthought] It's a very interesting song. I have one song in the works right now, that's just very, very aggressive, I started writing it after my father died.

C~ I see how something like that would be such a big influence on your music...Where else do you tend to find inspiration, with the band or otherwise?

St.Charles -Honestly, as cliché as it may sound, I draw a lot of my inspiration from my emotions on how I feel, with everyday things, and there’s a lot of stress in my life right now. So everything tends to be much more aggressive. Where as everything I was writing in Fall of Vanity, was very...melodic, and in odd time signatures. I'm still doing that with this new project, but it has more edge to it.

C~ Now obviously every local musician dreams of becoming a successful rockstar, love and adored by all, or hated by all depending on the genre and general look. What is your definition of a "successful rockstar"?

St.Charles -Someone who keeps writing and playing because they enjoy it. They're not out there to really impress anyone, even though we're happy when we do, but on our own terms.


C~ What would you like to say to the scene? To Richmond? If you could sell yourself right now as to why you WILL make it, and what makes you different, what would you say?

St.Charles - I don't write breakdown after breakdown in my songs, and I refuse to work with a vocalist that doesn't write real lyrics. That being said, I devote myself almost fanatically to my music, where as many of the people on the Richmond scene, don't. They just don't care, which is fine, but I do.

C~ I want to thank you for taking the time to talk with me this evening, it is obvious you are passionate and will go places if you keep the attitude you harbor now.

I will do my best to bring you-up to-the-"as-soon-as-I-get-them"-updates on Mr. St.Charles and all of his endeavors. Till then, support your scene, tip your bartenders, and never stop listening!!

C~ Travis, anything you would like to add?

St.Charles- Yeah. Come and see me play!


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THE ARKHAMS @ THE TRIPLE

THE ARKHAMS @ THE TRIPLE, DEC. 5, 2008
SUBMITTED BY ELVISTRA


The Arkhams played the Triple Friday, Dec. 5, 2008. They were a visiting band from NYC. I already had plans to see another show that night but changed my mind after my trusted friend at Community Chest Booking sent me the bands link to check them out knowing I would be instantly attracted to the fact that they were rockabilly with a twist. By now you all know I am a sucker for an upright bass, so on to the Triple I went and had a salty shakin’ time!

The official Arkhams Bio states that the three piece band is from Queens, New York, and has been quoted as favoring music ending in “-abilly”. They are not your typical rockabilly band. They have a unique sound and are clever enough to play covers that I have never heard of, thinking they were also original material, which makes them extremely talented and versatile for their young years.

Even the bands name is not what you think, unless you read H.P. Lovecraft or Batman comic books. The band formed in 2006 as a side project. They have played with The Meteors (nice belt, Sean), The Koffin Kats, the Chop Tops, Al & the Black Cats & Sasquatch & the Sick-A-Billys. The Arkhams are a relatively new band, but not new to the music scene. Also worth noting is bass player, Matt the Knife, was the winner of the 2007 Heavy Rebel Weekender Upright Bass Slapdown.
And trust me kiddies, he is one speedy string slapper. Like I said, I’m a sucker for an upright bass.

Their full length CD “The Road to Arkham” is now available. Go to www.myspace.com/thearkhams to purchase the CD as well as cool merchandise such as purple bottle opener keychains and green compact mirrors.

Their songs include, “Road to Arkham”, “3 Months, 2 Weeks and @ Days”, “Next Time You See Me”, “She’s Got the Power”, “Hell’s Where All the Good Records Are”, “Revenge”, and “Sally Jones”. The vocals are traded and combined so you never know who you will be hearing on each song, which is a compliment to the band that they can all play and sing at the same time-LOL.
That being said, I had a blast discovering new talent at the Triple, and although visiting RVA, I think I convinced the band to visit us again soon. Very Kool Kitty Kats!

Band Members:

Bobcat – guitar, vocals

Matt the Knife – upright bass, vocals

Seanzi Dirtbag – drums, vocals





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DALE WATSON & THE LONE STAR BAND

DALE WATSON & THE LONE STAR BAND @ SHENANIGANS, OCT. 13, 2008

Submitted by Elvistra


Dale Watson is one of country music’s true remaining outlaws. His name is usually included in the company of the other outlaws, Merle, Johnny, Lefty, Willie, etc. Dale Watson flies just under the radar and his fans wouldn’t have it any other way. He doesn’t gauge his career by the country music industry’s standards. He plays by his own rules and follows his own path to a sound he has termed “Ameripolitan”. Dale defines this as original music with prominent roots influence, and he has been told “he plays country like country was when country was country. If you can follow that, you know what a huge compliment it is to be told you sing country the way it was meant to be sung, with heart and muddied philosophies and sadness like the way country music sounded when I was a kid.

As most people in Richmond last weekend, I went to the Folk Festival. I went to the Saturday performance of Dale Watson with my elbows on the stage, dead center, best seat in the house, and enjoyed about a 45 minute set of mostly newer songs. Dale played 2 shows that Saturday and another on Sunday.

As great as the folk festival show was, it was the Monday show at my neighborhood hangout, Shenanigans that I was really looking forward to. It’s Dale’s home away from home when he’s in Virginia. I knew before I walked in the door and paid the $15 cover that it would be the best show of the weekend and worth every penny. Considering how much the bands that play the National and Toads charge for their shows, the show Monday night was worth more than the price of admission.

Dale feels so at home at Shenanigans he treats everyone as either a new or old friend and will cater to you every whim, whether its pictures, autographs, shots of tequila, more shots of tequila, actually about a shot per every third or fourth song is how many I determined his “friends” brought to the stage before the first break. Dale’s fans are devoted to him, men and women alike, the gender status is split pretty much down the middle. The band played 2 sets, and with the rounds of drinks coming at such a fast pace, by the second set, things usually get interesting at a Dale Watson show, and this show did not disappoint.

The material covered was varied. Older favorites such as “Don’t Rock No Cradle”, “Exit 109”, and my personal favorite “Country My Ass” along with his special cover of my favorite artist Elvis’ “Viva Las Vegas”. The latest material covered was from “From the Cradle to the Grave” which included “Justice for All”, It’s Not Over Now” and a very interesting version of the Wizard of Oz.

After meeting Mr. Watson for the second time now, I am even more convinced that this band is one of the most loved and yet undervalued group of musicians making that great music we call country.


Band Memebers: Dale Watson - Lead vocals, guitar

Don Pawlak – Pedal steel guitar

Don Raby – 5 string fiddle

David Bowen – Drums


Band website: http://www.dalewatson.com





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TOMMY 2 FINGERS and More @ THE TRIPLE

TOMMY 2 FINGERS & THE WHY NOTS, OCTANE SAINTS, AND THE RATS

@ THE TRIPLE, SAT. 9/27/08

The triple is getting quite a reputation thanks to the dynamic duo Tiffany Cale and Danny Ingram, who together make up Community Chest Booking, and are responsible for all the excitement at the Triple lately located at 3306 West Broad Street .

The Triple is quickly becoming THE place to be to see great shows and the location is convenient to most areas. And then there are the billiards, to which the neon sign outside boasts. A billiards room was the original theme of the Triple, but now you get two for the price of one. It’s a cool place with cool people taking care of you.

This Saturday night was no exception. The place was packed by the time I got there around 9:30, which told me that this was going to be a good night. Three bands performed, Tommy 2 Fingers and the Why Nots, Octane Saints, and The Rats. These bands consisted of some of the most respected musicians Richmond has to offer, and some of them I had crushes on when they were just little pups starting out back in “the day”. Okay, so I still have crushes on them, but I enjoyed my little nostalgic moment and got back to business.

The opening band was TOMMY 2 FINGERS AND THE WHY NOTS. Formed from various local bands such as Lilly Liver, Blind Brain, Sugar Creek and Uphill Down, this trio uses their punk roots together with cheeky lyrics to express their quoted “I don’t give a ….. attitude” of the genre. With songs like “All my Friends Are Dead”, “Great Personality”, “Kelly Went Gay”, and “Lapdance In Paradise”, you can conclude these guys don’t take themselves too seriously, and that’s pretty refreshing in this all consuming rock star world.

The band has written and recorded an album and is working on the second release.

You can visit Tommy 2 Fingers website at: www.tommy2fingers.com

Band Members: Joey Lasagna -guitar, vocals

Johnny Bactine – bass & background vocals

Danny Crucial – drums @ background vocals



The second band up was the OCTANE SAINTS. For me personally, the Octane Saints experience was like going back to the days when guys really enjoyed playing music together and it was always reflected in the music. This set was a joy from beginning to end. The band formed in 2001 collecting a fan base ranging from rock purists, punks, rockabilly and more. They have become regulars at various rock and roll festivals such as The Heavy Rebel Weekender and Elvisfest.

The songs from the band are no frills and catchy with titles such as “Grind”, “Daddy’s Trash”, “Tear the Meat off the Bone”, “Jailbait”, “Kitty”, “Hell Yeah”, and “Drinkin” which was a special favorite. It was a set I didn’t want to end, but I got some good butt shakin’ in for exercise.

Band Members: Jay Thurman – guitar, vocals

Rock Koplin – guitar, vocals

Tom Strel – bass

Scott Schuppert – drums

Band website: www.octanesaints.com, or www.myspace.com/octanesaints



The headlining band was THE RATS, who is mostly based in Norfolk , VA. One of my old crushes was on guitar player Dan-O, previously of Mudd Helmet, Rocket 69 and Adam West. It was kinda weird seeing how older and mature he is now. Okay, we’re old, but, damn these guys can still play.

Thanks to Jeff, the bass player, I got a brief history of The Rats. Apparently, the guitar player Eric got together with bass player Jeff and started a Ramones tribute band. It didn’t take long for them to want more and they started writing their own songs and became The Rats. They played Baltimore , D.C. , Richmond , the Outer Banks, and after a string of lead guitarists and drummers including Joey and Shon of Reverend D-Ray and the Shockers, their current drummer, Matt came along. They were led to Dan-O’s recording studio and they spent three days recording there first album, “Rats Ass”. Eventually their lead guitarist had to leave the band and Dan-O played guitar on several of the tracks they recorded for the album. Dan-O expressed an interest in joining the band and the rest is The Rats history.

The punk influences on their songs, such as “Norfolk city Rockers”, “Sellin Honey”, “Rats Ass”, Rock & Roll You Over”, “Cathcin’ Flies”, and “Sick of Being your Dog” (my personal favorite), is so strong there was actually moshing to be had in front of the stage. Yes, beer was spilled, people fell down, equipment was compromised, and the vibe was pure electricity. You couldn’t ask for anything more.

Band members: Eric – guitar, vocals

Dan-O – guitar

Jeff – bass

Matt – drums

Band website: www.snakeoilrecordings.com, www.myspace.com/thenorfolkrats


To wrap up I will just say I had a great time seeing old friends and listening to kick ass music and hope these bands continue to play and flourish, because they deserve it. Nuff said. Elvistra signing out.



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BLACK ROSE WITH SPECIAL GUEST BRITTANY O’NEIL

BLACK ROSE WITH SPECIAL GUEST BRITTANY O’NEIL @ GRANDPA EDDIE’S SAT. SEPT. 13

Submitted by Elvistra


I haven’t had a chance to do a review in a few weeks, so this article was a special treat and covers two acts that are dear friends and literally cover two generations both in age and music style.

Black Rose played two engrossing sets for the evening, as Grandpa Eddies is a family restaurant/bar and closes early.

Black Rose is: Jean Labelle: vocals, guitar and harmonica
Andre Labelle: percussion
Stevie Gentile: bass

The band originally formed in the same elementary school I actually attended. Their bass player and good friend, Bruce Henn, was taken from us in a fatal car crash early on, and the future of Black Rose seemed uncertain. As time passed they added Stevie G to play bass, knowing Bruce would’ve lovingly approved. Black Rose was now reincarnated, rejuvenated and ready to play again.

This time around, however, the sound would be acoustic, but don’t kid yourself, the power is still there thanks to the relentless Andre Labelle pounding on those drums like he did in the 80’s and 90’s with all the hair metal bands he played with, (some actually famous, like Vinnie Vincent).

The show Saturday was filled with much loved classic rock including some obscure songs you would not expect to hear. Some standard covers are Tom Petty, Bob Segar, The Beatles, Peter Frampton, David Bowie, and my personal favorite, Alice Cooper. Those are the tamer songs of the set, other songs by artists like The Rolling Stones, Aerosmith, Led Zeppelin, and The Who, really wake you up and get you out on the dance floor thanks yet again to the powerful drums of Andre and Jean and Stevie’s amped energy..

The material is nostalgic and performed with passion and class. Black Rose may have started out at my middle school’s Battle of the Band talent show, but they have matured into a very talented trio that aims to please and leaves you with great memories of songs you probably did naughty things to if you are at least over 35. And if you’re under 35, you really missed out and I have the pictures to prove it!! I guess the bottom line is Black Rose is for everyone because the music is timeless and crosses the age barrier.


That brings me to our second act of the evening, Brittany O’Neil.

Brittany is a fresh new 17 year old singer/songwriter who is nudging her way into the music field one show at a time. It doesn’t hurt that her mom is the beautiful and talented Elana of King Edward and the BD’s and formally of Steppinstone. Naturally trained vocal chords obviously run in the family and Brittany sings with a richness that is well beyond her years.

Brittany was the guest performer with Black Rose and did covers such as Jewel’s “Save Your Soul”, Ben Harper’s “Walk Away”, Janis Joplin’s “Me and Bobby McGee”, and Led Zeppelin’s “Thank You”.

Britanny also did her own original songs on acoustic guitar with such titles as “From the Balcony”, which mom Elana helped with harmonies, “An Easy Way Out”, which spoke well beyond her youth, “The Homeless Man”, and a duet with Grace DeValk called “I’ve Learned”.

Brittany’s lyrics are solid and truthful and tell a very realistic story of a girl turning quickly into a woman with a beautiful and shining future ahead of her and many, many more gigs to perform.

The support Brittany was shown by her family and friends was obvious when you looked around the room and the majority of people were 18 and under, and sang along with every word. Now that’s impressive, for a musician of any age. Congrats, kiddo, you done good.










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SPEED8LIMIT @ DADDIO’S SAT. SEPT. 13

SPEED8LIMIT (AKA RICK & ROD) @ DADDIO’S SAT. SEPT. 13

Submitted by Elvistra


Rick and Rod Hollowell are twin brothers who perform in an acoustic duo covering songs that are classic rock, country, rap, and everything else you can imagine. Rick and Rod both play guitar and sing and offer traditional and not so traditional covers. My particular favorite song of the evening was The Beastie Boys “You Gotta Fight for your Right to Party”, or whatever the title is. It gave me the boost I needed considering the bars coffee pot was broken at Daddio’s and I had already seen two acts that evening.

Some other artists Speed8Limit cover are Tom Petty, Steppenwolf, Jet, Grateful Dead, Violent Femmes, Pearl Jam, The Doors, Nirvana, The Rolling Stones, Buck Cherry (sorry I missed that one), Smashing Pumpkins, and Poison, just to give you a hint of the variety involved.

Saturday night at the newly renovated Daddio’s was a typically crowded one with some patrons playing pool in the back, others hanging out at the bar, and some dancing to the band. I became one of those dancers toward the end of the evening, which doesn’t usually happen, but the positive and fun energy Rick and Rod threw out was contagious and I left on a happy note, looking forward to catching another show very soon.

Upcoming shows for Speed8Limit will be posted on my October Events Schedule





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Scott H. Biram at Iota Club

Scott H. Biram at Iota Club, NOVA
Thursday, August 7, 2008
By: Cindy Johnson
aka Elvistra

Scott H. Biram , known by his fans as the “Dirty Old One Man Band”, played to an anxious crowd at the Iota Club in NOVa last week. Mr. Biram is indeed a one man band.

He plays a very beat up 1959 Gibson guitar, mouth harp, has an impressive and colorful array of effect pedals, three microphones bound together with tape and cables, and a chair where he stays seated to make use of his special amplified left foot pedal which furthers the sound effects Biram incorporates into his one man show.


The vocal sound that Biram projects makes him sound like an old blues singer from the swamp, when in reality Scott Biram looks to be in his early thirties. We got to the club early and the friend I traveled with knows Biram quite well which allowed me chance to hang out with him a while before his set started and listen to funny stories about his escapades on the road, and the random people he has met along the way. Biram seems to be your average country boy from Austin , TX , who loves his family and shops at Wal-Mart.


Biram also knows what it is to suffer. He was nearly killed in 2003 when his car was struck head on by an 18 wheeler. He survived certain death and has been celebrating life ever since.


Scott Biram’s music is gritty and soulful and makes you feel a certain pain and anger followed by laughter and hope from up above. Biram attacks all your emotions at once and that is what truly makes his performance memorable.


Songs like “Blood, Sweat and Murder” evoke the aggression of punk and metal, while keeping it’s hillbilly, country and blues roots. It’s something for everyone and his true story ballads like “Sweet Thing” validates what a versatile writer he is, and, although it shows a softer side of Biram, he also lashes out when hurt and the audience feels every part of it.


I guess the coolest thing about Scott H. Biram is that you leave one of his shows feeling like you just made a friend for life. I know the next time I see him, he will remember me as “Miss Cindy” and it will be a wonderful evening. Scott doesn’t know when he will be able to make it to Richmond again, but at least he know he’s wanted.


You can visit Scott H. Biram’s MySpace site listed under: Scott H. Biram, or visit his personal website at ScottBiram.Com. He has very cool merchandise and CD’s for sale on both sites.


Check out some photos:

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The Dregs at Banditos

The Dregs at Banditos
Wed. August 6, 2008
By: Cindy Johnson
aka Elvistra


This is my first entry for MusicRVA. I am very excited to have my first local band review be for a local band that I truly respect and admire and am proud to call my friends.

Last night the Dregs played two energetic sets at the newly-rejuvenated music venue Banditos on Patterson Ave. in the fan. That’s’ right, Banditos means live music once again and not a moment too soon. It’s becoming considerably difficult to get local bands booked in good ol’ RVA, and having a venue like Banditos open to booking local musicians is very exciting for the bands and the fans.

As for the Dregs, who began their musical journey in 2006, they turned out a small but mighty crowd and gave the audience their sweaty best. This bands ability to combine the past and the present of covers and originals is addictive and their original songs are filled with lyrics and beats that make you laugh and pump your fist at the same time.

Writing partners Kim Schneck and Bruce Smith have an uncanny ability to put lyric and music together to make you think you must be listening to an old blues or rockabilly song you never knew existed. The material is clever and catchy.

When you combine Bruce’s “swamp blues” guitar licks, Hank slapping the upright bass, Blee pounding the drums, and Kim singing with the energy and passion of the late great Janis Martin, you just can’t resist getting out of your chair and dancing and slapping your knee to the best local music Richmond has to offer.

The Dregs next show will be in September at Poes Pub and if you like the sounds of rockabilly swamp blues, you better be there!


The Dregs have a new CD entitled “River City Rock and Roll” for $5. See there website for details.

The Band:

Kim Schneck Frauerbach – lead vocals

Hank Frauerbach – upright bass, vocals

Bruce Smith – Lead guitar, vocals

Blee Child – percussion, vocals

Band website: RiverCityRockAndRoll.Com

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The Prospect of Real Rap

About three years ago at a small and frequently visited night spot in Warsaw, Virginia, namely Anna’s, two of the most well rounded musicians the Northern Neck has to offer met for the first time and began a musical career as both friends and occasional partners.

The night began as most nights do at Anna’s, enjoying a few drinks while listening to various strangers and friends trying their voices at karaoke. As the night progressed, J Rock was approached by Brian Sprouse, a friend of Prospect South, and was asked if interested in doing a free style session with Prospect South. Not a typical free style battle, but more of a game of wits and a friendly jam session, J Rock agreed and along with Prospect South, they made their mark and began a friendship that has helped both musical careers along, and has now grown into a brotherhood or adoptive family.

Merriam-Webster’s Online Dictionary defines the word prospect as, “…an extensive view and/or the act of looking forward“. Furthermore Merriam-Webster‘s Online Dictionary also offers, “…prospect also implies expectation of a particular event, condition, or development of definite interest and concern“. All of the above meanings and definitions apply to an artist from Hendersonville, North Carolina, Prospect South, who firmly believes in karma (what goes around, comes around), and hopes to open people’s eyes and change the world with his music.

Thomas Clinton Elkins, aka Prospect South, uses inspiration from his personal life and experiences to create dynamic synthesized sounds and electronic beats, accompanied by vocals that demand your attention and make you think, both evident in his original song “Originality by Definition”. Prospect South ensures a good show, by getting into the zone, and getting the crowd into his music and performance. His music not only appeals to fans who fall into the Rap and Hip Hop genres, but also anyone who is willing to listen and to people who want to learn. He has released two records, Southern Engineer and Change the World, which will be made available to itunes, Napster, Rhapsody, and Emusic in the near future.

J Rock, aka Jerrell Golden, hails from the Northern Neck town of Tappahannock, where one day during high school study hall, he and his friend Clarence Taylor were visiting a website, when his first performance name, Golden Boy was born. With the help of his home boys, the name stuck, and shortly after he and some friend started a group Solja Squad. Later on in his musical career J Rock left Solja Squad and joined Zero Professionals, then deciding to bring real rap back into the fold, he left and started his new career as J Rock.

Since graduating and striking out on his own, J Rock has played many shows, including Tappahannock’s annual summer event, Rivafest, and has recorded a demo entitled Thinking Out Loud Part Two: The Birth of My Grind. Along with the help of friend and adoptive brother Prospect South, J Rock has risen above conflict and strife in the refreshing and monumental task of bringing real rap back into the musical fold. He has done this with bold lyrics, a free thinking mentality and the ability to improvise and get into the zone, while producing songs and compositions that define him and what he represents. The thing that aids J Rock in his musical career is that his music is not aimed at on demographics, but appeals to a diverse fan vase, and welcomes anyone who wants to experience a fresher side of rap. J Rock describes his fan base and directed audience as “anyone who and everyone who is willing to listen“. It is this concept that helps drive J Rock and continues to boost his reputation.

Since their first meeting, the two musicians have recorded demos, separately and together, played shows, and helped each other along. But first and foremost, as both will tell you, they are not just friends but a part of each other’s family. “Prospect is my thesaurus, my encyclopedia, and my internet man. If I can’t think of a word or definition or if my web pages need work, this is my go to man, he’s almost like my step father or brother”, says J Rock of the bond they share. “I totally agree with J (Rock), if he needs me I’m there and vice versa, believe it or not, if I stutter or lose my place he can pick it back up for me”, Prospect offers about the friendship. These two friends and adoptive family members produce good music, both separately and together, have a good time, and help each other along when the other needs it. This gives them a unique advantage over other artists and musicians in the Northern Neck- the ability to gain valuable insight from another musician at a moments notice, and receive beneficial feedback and necessary criticism.

Both J Rock and Prospect South are currently working on their next albums, making their names and music known, and building their musical careers and reputations. Prospect hopes to release his next demo and promote his music within the next year, and also hopes to show mainstream music something new and fresh and change the way people listen to music over the next few years. J Rock and Prospect South would both like to thank the fans and BFLC, and Brian Sprouse. Namely Prospect thanks his mother Cindy and his step father Rick, his father, his new family (Karen and the girls and his son Robbie), J Rock, and the South (that includes Virginia). J Rock would like to thank his supportive mother Theresa Golden, his girlfriend and daughter, and Prospect South. For more information on J Rock and Prospect South, visit their Myspace pages and look for Prospects music on itunes, Napster, Rhapsody, and Emusic.


Zach Jefferies
07/05/08
Prospect South and J Rock Article

Walking The Line

Chalkline Beauty, a band who hails from the Commonwealth’s capitol city, combines their insatiable appetite for having a good time with the ability to play good music with a fresh sound and shockingly strong vocals. The band began in 2006 with Rashad and Jeff hanging out in their Richmond apartment having a chill and mellow time, and consists of Rashad (vocals), Jeff (guitar), Chris (guitar), Joe (bass), and a new drummer, Adam Sowder.

Rashad, who sang previously in another band, grew weary and unhappy, and along with Jeff, decided to start a new band, Chalkline Beauty, whose music appeals to the metal and hardcore genre of Rock, and to people who are tired of the same shit on a different day, tired of listening to the radio, and who don’t fall into a particular crowd. That being said, Chalkline Beauty plays music straight up, without worrying about being stereotyped or criticized for having an open mind and doing what they want and enjoy: playing good music and having a great time while doing it. The band recorded their first demo in 2007, I am the Wolf, which is available via the bands Myspace page and by attending a show (which they highly suggest).

When asked to give any words of wisdom or if they had any philosophies, Jeff and Rashad gave two completely different words of advice, but at the same time they appeal to both fans and aspiring artists and ring loud and clear. Rashad said that one piece of advice he can offer to aspiring musicians is, “to be true to yourself in your musical endeavors, don’t conform to standards, be yourself, and do what you want and enjoy it”. Jeff on the other hand provided a piece of advice for the fans, “… if and when you do find that band you connect with and whose music appeals to you, stick with them and catch their show (s), but don’t leave after they are done performing, stick around and check out the other bands and show your support for us all.” Rashad also offered a piece of advice for the fans saying, “… unplug the fucking radio and turn off Myspace and your damn computer and catch a show, get out there and experience music, don’t just sit back and expect it to move you”. These two pieces of advice serve to show and amplify the fact that Chalkline Beauty is about the music, and having a good time.

Chalkline Beauty, along with its new drummer, are looking forward to their new future, and hope to further develop their careers as musicians, and also hope to play more shows both locally and outside the Richmond area. They also hope to catch Adam up to speed, and record a new demo. This journalist wishes this band all the best, and can’t wait to catch the next Chalkline Beauty show, and firmly believes this band is a force to be reckoned with, and also a band that takes no prisoners and shows no mercy. For more information on the band and their music, visit their Myspace page at ChalklineBeautyRVA and for Christ’s sake get out there and catch a damn show, unplug the radio, support local music, and enjoy the music and the experience.


Zach Jefferies
June 20, 2008