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This blog will be transforming into an actual writers blog to go hand in hand with our FaceBook Group "Aspiring Writers".
This blog address has changed to "Aspire2WriteNetwork.blogspot.com
Showing posts with label *Elvistra*. Show all posts
Showing posts with label *Elvistra*. Show all posts

Saturday, March 21, 2009

An Interview with Joe Buck

Joe Buck, or Jim to his friends, has a plan. He plans to stay pissed off and sing about it until there is no need to anymore. In a way Joe Buck is an activist, but not by protesting or props, which he finds redundant, but by translating and transferring emotion and energy to his audience. During my phone interview with him, tape recorder by the phone, praying it was working, Joe was somewhere in Florida, on tour as always. Joe Buck is a humble man who doesn’t think he is anything special. He plays for us and he will always play for us, whether it’s a crowd of 2 or 2000. Joe Buck and I found common ground on many topics and shared some personal stories that showed me the roller coaster that has been Joe Buck’s life. I am now not just a fan of Joe Buck Yourself, I’m a fan and I hope a friend of Jim.


Cindy: You just returned from Europe. How did that part of the tour go? Is playing Europe any different than playing the U.S.?


Joe Buck: Well, it was exactly the same. It was weird, it is weird. I mean this first show in Rotterdam I was singing “Evil MF from Tennessee” and I usually let the crowd say “Tennessee”, and I’m in Rotterdam and I was like, okay, and just stopped, boom, and sure enough I heard “Tennessee”!


Cindy: So your fan base is strong in Europe?


Joe Buck: Well I’m not trying to be different, it’s just the way it comes out. I mean, obviously they’re looking for something different and you know there’s not too many places for them to get something like that I guess. It was amazing. I’m going back over there in the fall for about two months.


Cindy: I’ve noticed so many bands booking Europe dates on their tour schedules. It seems like a popular thing to do, I guess it always has been.


Joe Buck: Well, I don’t book the shows, I just let people know where I am, so it’s good because I just deal with people. We’re not getting in touch with clubs, it’s not like that. I just want to go where the people want me to come. I’m just excited about having a show. The best shows are when you get your local bands together and there’s people and you have a party. I only care about the people who are there.


Cindy: We may not have had a huge crowd for you last year when you played here, but everyone was there for you. And what I thought was so special was you telling everyone to come stand by you as close as they could, and they did for the whole show, and that was a very different experience. It made me feel like I was part of your performance. It was very memorable for me.


Joe Buck: Well, I mean, it’s all about the people. I mean, I’m playing for them, you know, so yeah, the whole getting up close thing is like it takes all of us to make that show happen. The energy has to come from all of us and yeah, that’s not like most shows.
In most shows the band comes on and the people stare at them, and they go through the show, and they go off stage, you know? That’s not what I’m doing.


Cindy: You are well known in The Legendary Shack Shakers. Were there bands before that? What was the beginning for you as a performer?


Joe Buck: I’ve been in bands my whole life. There have been a zillion other bands. I had success with this band named Gringo back in the early 90’s. I mean, you know, drinkin’ and druggin’ ruined it, but I was doing shit then, in rock bands from late ’79 on and I was in all these punk bands in the beginning. I mean, I was from a farm in Missouri, so when I was a kid growing up there was Bocephus, Van Halen, The Cars, but when I left the farm it was like I immediately found punk. You know, it was like 3 years after the fact, but it was late 1979, it wasn’t 1977, but it was still new enough to where I said, okay, and played in punk bands.


When I was 21, I think I heard Hank Williams on a commercial or something and it was usually someone else doing his songs, really badly. Then I met a great friend of mine, Jerry Bender, who I owe a debt of gratitude to. He was the produce guy at the Piggly Wiggly and lived around the corner from me. I’d have my little punk rock parties and he was my neighbor, just lived right around the corner, and one day he said “your music sucks, I’m bringing my own music”. So he brought over Hank Williams 40 Greatest Hits and you know, it changed my life. Jerry Bender! And that was in the early 80’s. I still played in punk bands until 1994 just because I knew that playing country takes skill and time so I worked on it all those years, but I still played in punk bands to get by.


But my band Gringo got a bunch of great reviews. I thought I was trying to be Hank Williams. I was just so strung out and drunk that I was just kind of lost in that, but those were great records, I was in great bands, but I just ruined it, just played too hard.


Cindy: How do you describe the type of music you play and especially the way you play in your solo act?


Joe Buck: I have to play every song as hard as I can. I mean, that’s the first thing people always come up to me and hug me after a show and say “Oh my God” because I’m soaking wet. Not just a little wet, I mean like somebody just dumped a bunch of water on me. And that’s because, yeah, I play every song as hard as I can. It’s all rooted in old hillbilly music and blues. I’m not doing anything new, I mean, maybe the approach is about something different.


Cindy: Where does all the aggression come from?


Joe Buck: Because I’m pissed off, man. I’m pissed at the way people treat each other, I’m pissed at all the cold blooded greed. I’m so sick of all the bullshit in the world. There’s so much to go around, man. I’m pissed off at mass communication. I’m pissed off at Nashville, you know, as a kid growing up on a farm, instead of having somebody from my area on the radio singing to me, for me, like Hank Williams would’ve been, no, I got fu#@ing Barbara Mandrell. The worst bullshit in the world. So that music didn’t speak to me. I hated that music. I mean, openly as a kid I said I hated country music, so it made me hate where I was from. I had issues and I had to get them out.


I left Nashville and moved to Western Kentucky, just over the border. The people in Nashville were great, it’s the music industry that polluted a whole generation of good country kids. That’s why they’re listening to Fifty Cent right now. They’re adopting a culture that has nothing to do with them. You have to know where you’re from to know where you’re going.


Cindy: I heard you had a show here about a year ago with the infamous Cuz’n Wildweed and the Vapor Rhinos. Something happened at the club, Poes Pub, can you fill us in?


Joe Buck: The Vapor Rhinos had a fog machine that you could’ve put in an arena. So we saw smoke coming out of the club from our RV. Kathy and I looked and there was all this smoke billowing out from the club. You couldn’t see inside the club. The club was completely filled with smoke and it was billowing out the doors. It was like the place was burning down. So we’re running out of the RV to see what’s going on and the Vapor Rhinos were still playing on stage. You couldn’t even see them. It was the funniest thing I’ve ever seen in my life. It ran everybody out of the bar, which was even more genius. I was like, yeah, they’ll remember that show forever.


Cindy: What was it like performing with Cuz’n Wildweed?


Joe Buck: Well, I’m glad that Cuz’n Wildweed is here on this planet. What can I say, you rarely meet somebody that has a giving soul, because the majority of us are cancerous, lecherous thieves. So to find somebody like Cuz’n shows me that good people are out there and it gives me hope, otherwise I’d blow my brains out! We’re in this thing for the long haul, and that’s what we need, are people that give a shit.


I promise I will always show up to play as hard as I possibly can. I don’t care if it’s the 20th show of 20 shows in a row, you’re gonna get the same show. You have to give if you’re an artist. It’s the truest thing. And I only learned that from losing everything and being pummeled by everything. Then I realized I didn’t need anything. The only things I need are the things I can carry inside of me.


Cindy: Have there been any spiritual influences or experiences that have helped guide you to where you are now?


Joe Buck: All I need is to not feel worthless, because I was. So, by working so much and playing, those things make me feel good. If I feel something or smile or rock out, whatever it is, then I did something that made somebody feel something, so being able to give them whatever that is and by them feeling something, then I don’t feel worthless. So it’s really as simple as that.


What changed, I have no idea man. It’s like one day, I just can’t explain it. I was almost dead, so I really don’t know. It’s weird too because the dope, I’m around it all the time. It’s so funny. It’s like, here’s the funniest part about your addiction, here’s your job and you’re gonna be surrounded by it and that’s the best way to have it. Keep your enemies close, man. But I never wanted it, and it’s like I said, twenty years of full on crazy and then one day just like, I can’t explain it. I did think I had a dream kind of thing that was like, I gave up all the drugs and pills, it doesn’t matter what it is, it’s all the same thing, so it’s like, if you give up one thing, all the rest of the things that you need in your life will bear themselves.


I was like, man, I’m not stupid, this sounds like a pretty good deal. And that’s pretty much how it worked out. I don’t judge anybody by what they do or what road they’re going down. Everybody’s got to live their own life. And as awful as it was, because there is no glamour in it, you know, it’s just pathetic. I don’t look back on any of this stuff fondly, but I wouldn’t change a thing. I’m fighting fire with fire, filth with filth, decease with decease.


Cindy: You played with Hank III for years. To anyone that would seem like a perpetual party. How long did the party last before you had enough?


Joe Buck: Well I never had enough of it. That thing was a pro gig man. Yeah, we had fun but we rocked every night, I mean everybody was f@#ked up, you know, you can’t do that shit, you have to almost be an athlete. Yeah, it’s fun, but I mean….there were several things like, this thing now is steady work, and that gives me peace of mind.


Cindy: Your fans now know about the split with you and Hank III. Do you mind telling us what happened?


Joe Buck: First of all, he (Hank III) is a solo artist. I was just a side guy. I mean, he’s had a zillion guys in his band. I mean, it’s about the songs. I loved every minute of that, but I started working (solo) after we played Nashville on Thanksgiving of 2007 and when I started doing this no tours (with Hank III) were booked, so I kept working. You know, and he went on. So that’s what happened, there was no “split”. There was no big decision made, I just never heard from him. So he got another bass player and I was like, okay, I’ll keep touring.


Cindy: Are you happier as a solo artist?


Joe Buck: I’ve always written and played, besides Hank III, I always wrote and sang the songs, so I mean, because I played with him for so long, sure I miss that, but not for the reasons you think. It’s like, I miss my friend. But this thing that I’m doing, you said it, it’s really important and it’s growing like crazy, and yes, when you’re a side guy, you don’t know what’s going on, you know? This way works for me. It gives me huge peace of mind. And then, I love my girlfriend. We’re getting married as soon as I can pull off the road long enough!


Cindy: What’s next for Joe Buck? Are there any new releases we can get excited about?


Joe Buck: I’m recording and I’ll have a new release out by July. I’ll have it ready for the tour with Wayne (Hancock). Oh yeah, Wayne Hancock and Joe Buck are gonna f@#ck up the West Coast man!!!


Cindy: What more really needs to said?


Joe Buck will be playing The Triple on May 12, 2009


You can visit Joe Buck’s website: www.joebuckyourself.com



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Monday, March 9, 2009

GORGEOUS & UNKNOWN HINSON

GORGEOUS & UNKNOWN HINSON @ CANAL CLUB


It had been many years since I had been to the Canal Club and I decided to attend a show I wasn’t familiar with but I thought the subject matter would be interesting to review. At the time the only act I knew was performing that night was Unknown Hinson. I had never had the pleasure of attending any of Mr. Hinson’s shows, but many of my friends never miss him when he is in town so I decided to find out what all the fuss was about. Much to my surprise, when I walked in the door I heard familiar music and saw familiar faces on the stage during sound check. “Unknown” to me, my friends Gorgeous were opening for Unknown Hinson and suddenly the overpriced $16.50 tickets weren’t so offensive.

Gorgeous, former members of Chrome Daddy Disco, has always been in my opinion the best rockabilly/psychobilly band in Richmond, or anywhere for that matter. I have been going to their shows for well over ten years and still can’t sit still when I hear them play. Sean McClain is in my opinion the best front man on a stage. If you are looking for entertainment, look no further. Sean delivers his cocky one liners and rants along with the most passionate covers, “King Creole”, “Muleskinner Blues”, and the best of the best, “Viva Las Vegas”, plus original songs like “Bloody Valentine”, that cannot be duplicated. Many bands have tried but failed. This band is the real deal down to Jim’s pink paisley James Burton style guitar, to the solid bass and drums that pull everything together and creates the “Sonic Sound” that is the infectious Gorgeous groove. Gorgeous doesn’t play out very often, so seeing them was a real treat and I’m always looking forward to their next show. Thanks guys for giving Elvistra another chance to shake, rattle and roll!




Band Members for Gorgeous:
Sean McClain: vocals, ranting

Jim Wark: Guitar

Greg Wetherford: Drums

Kyle Christian: Bass


The main act, Unknown Hinson, the King of the Country Western Troubadours from Charlotte, NC was not the honky tonk guitar picker I assumed he was. His music is described as country/western/metal/psychobilly/cow punk. What I heard was a very talented blues oriented guitar player with quirky original songs like “Lingerie”, BarbieQ”, and “Alkyhol Withdrawl” which gives him his unique persona, and incredible covers by Hendrix and even Alice Cooper., which won me over immediately.

Unknown Hinson is not just a weird guy with a scary face, although I still can’t figure out how none of his makeup melted during the show. The man barely broke a sweat, very cool indeed. The crowd loved him and it was clear Unknown Hinson has a strong fan base in Richmond, and now I understand why. After the show Mr. Hinson greeted his fans, signed autographs and took pictures with them. He clearly appreciates his followers and treats them well.

In conclusion, the night was filled with the “Unknown”, but it was a top notch show that should’ve had a much bigger crowd to bear witness.





Be sure to check out Unknown Hinson’s CD “Target Practice”
Band website: Unknown Hinson

Band Members for Unknown Hinson:
Unknown Hinson: vocals, guitar

Roger “Tiny” Kohrs: Bass

Frank “The Tank” Sorrell: Percussion




***************************************
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Sunday, February 15, 2009

BO-STEVENS & GOJIRA-X AT WONDERLAND

THE BO-STEVENS & GOJIRA-X AT WONDERLAND 1/7/09
CRUMPS BIG BIRTHDAY BASH

BY CINDY JOHNSON

Tonight takes us to Wonderland. Just when I thought my “bottom dweller” days were past me, they pull me back in! Shockoe Bottom is still the inconvenient pain it’s always been, but parking aside, this was a special occasion. A double birthday celebration for my friends Sarah and Crump, singer for Gojira-X.

The bar quickly began to fill with many friends and fans of both bands. The Bo-Stevens are a band from Winston-Salem, NC and are local favorites in the RVA area. As I have been known to repeat, I am a sucker for an upright bass and I was in for a double treat. Not only did the Bo-Stevens have an upright bass player named Billie, but Billie is a badass lady who knows how to slap the crap out of a bass. Along with Billie, there is Jeff Shu who plays the pedal steel guitar and mandolin, which made this band a bit of a dream come true for an authentic music lover as myself.

The band has gone through lineup changes since they started, but seem to play as if they’ve been together for years. The songs are country for the most part, with just a hint of rockabilly to make it danceable. With songs like “Honky Tonk Saturday Night”, “Lace”, “I’m Over You”, and “12 Ounces” you get to hear plenty of drinking songs that resulted in a definite crowd pleaser. This was my first Bo-Stevens show and I hope to see them again soon , hopefully at Cash Bash, a festival they are hosting February 27th & 28th in Winston-Salem playing along with Gojira-X and other bands.

To read more about The Bo-Stevens, visit their website: www.thebostevens.com

Band Members: Richard Boyd – vocals, guitar
Gregg Bell – guitar
Jeff Shu – vocals, pedal steel guitar, mandolin
Billie Feather – upright bass
The Rev. Douglas Hawkins – drums

After the Bo-Stevens left the stage, all normalcy went out the window. The next band, Gojira-X, describes their sound as “a strange and unique bland of hardcore, metal, punk and surf, with a heavy dose of Ed Wood, Roger Corman and John Waters, Etc.” Are you interested yet? The funny thing is the bands description of themselves is pretty accurate. It is definitely a show you find yourself participating in. But for an Elvis lover like me, they had me at “Suspicious Minds” and “Don’t Be Cruel”. They played the Elvis card and it was done in perfect taste and obvious love for the King. But along with Elvis and other covers, there were the bands original material with titles “Cheese”, “One Hot Mess”, “It Lives”, etc. focusing mostly on women and what to do with them. There was a lot of dancing, dancing on booth ledges, and general good times had by all. It was a very fun show and I think Crump is my new front man to beat, and that’s saying a mouthful!
To read more about Gojira-X visit their website: Gojira-X

Band Members: Crumpy C – lead vocals
Dirk Laguna – bass
Eddie McTastic – lead guitar
Crash Rockingham - keyboards



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Wednesday, February 4, 2009

GRANDPA EDDIES BBQ - Venue Review

GRANDPA EDDIES BBQ
11129 THREE CHOPT ROAD
RICHMOND, VA 23233
804-270-7427

Submitted by Cindy Johnson


Do you like Barbeque? Do you like live music? Grandpa Eddies, located in the West End offers the best of the two. On Friday and Saturday nights, for no cover charge, you can watch live bands from 8:30 pm to around midnight.

The restaurant caters to down home Southern cooking including fried okra, three types of cole slaw to go with the three types of barbeque, and the best brisket I have ever eaten.

The bands that have played Grandpa Eddies range from rockabilly to blues to country and are all appropriate for the whole family, something which is very important to the owner of Grandpa Eddies, proving you can have G-rated fun, along with impressive draft beer.

So bring your appetite with you or you will wish you had because Grandpa Eddies is all about family, food, live music and fun!


GRANDPA EDDIES FEBRUARY 2009 CALENDAR

Feb 6 2009 8:30P
The Jangling Reinharts Richmond, Virginia

Feb 7 2009 8:30P
The Great Unknowns Richmond, Virginia

Feb 13 2009 8:30P
Janet Martin Trio Richmond, Virginia

Feb 14 2009 8:30P
Happy Valentines Day! Come try the BBQupid Special! Richmond, Virginia

Feb 20 2009 8:30P
The Taters Richmond, Virginia

Feb 21 2009 8:30P
Sister Sweet Richmond, Virginia

Feb 27 2009 8:30P
The Atkinsons Richmond, Virginia

Feb 28 2009 8:30P
Mo Debree Richmond, Virginia



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GET LOST WITH AMERICANA

THE LOST SOULS & THE MUCKRAKES @ THE TRIPLE 1/30/09

Submitted by Cindy Johnson

I decided to change my pace a little and commit to an evening of a wildly growing brand of music called “Americana”. It’s a little folk, a little country with some bluegrass mixed in for flavor. I keep hearing this type of sound called “roots” music, but to me, it’s all relative to keeping it real. No gimmicks, no weird outfits, just good music from yesterday and today. That set the pace throughout the evening with two very talented and spirited bands – one a duo, the other a small army.

Gray Gurkin and the Lost Souls started off the evening. They were missing one Lost Soul reducing them to a duo with their drummer, Chip Farnsworth, and singer, guitarist, Gray Gurkin, who has carved out quite a name for himself as a solo artist, but he obviously thrives with his band, no matter how small.

The Lost Souls are very professional and know how to put on a show. Gray Gurkin interacts with the audience and makes them feel appreciated. The originals songs are both upbeat and spirited, even the sad ones. Gray Gurkin has a powerful voice and he’s not afraid to use it, coupled with that Dwight Yokam bounce when he plays, and you have a great front man and a wonderful sounding band. All the members of The Lost Souls are from Virginia and have played with many other successful bands through the years and it shows. The bands original songs include “Matchbox”, “Wildflower”, and “Sunday Morning”.

Band Members:
Gray Gurkin: Lead vocals, guitar
Chip Farnsworth: Drums
Turtle: Bass and backing vocals

Website: The Lost Souls and Gray Gurkin


The Muckrakes took the stage by storm a while later and I could barely believe the head count on that stage. The band has 7 current members who all play a variety of different instruments, including my personal favorite, the lap steel guitar and rub board. It gave the band personality to play such vibrant instruments and the combination of harmonies and blend of music swept you away to another time when things were simple. I think this type of music is really needed right now to get our priorities back in line and see the simple beauty in things. That’s what this music gives you, simple beauty, and I was definitely in need of some.

The Muckrakes formed in October of 2008 in Newport News, VA after some lineup changes have their current band. Their songs include “Young and Crazy”, “What Does She Have to Say” and “Until They’re Gone”.


Band Members:
Melissa Troutman: vocals
Matt Minguez – violin
Jon Owings – vocals, mandolin, banjo
Dave Jackson – drums
Cory Nealon – Lap steel guitar, dobro guitar
Spider Turner – guitar
Billy Englan - bass

Website: The Muckrakes

The Muckrakes Pics





The Lost Souls Pics





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Sunday, February 1, 2009

TRIPLE THREAT - Our First Venue Review

A REVIEW OF THE TRIPLE BILLIARDS BAR LOCATED AT
3306 WEST BROAD STREET, RICHMOND, VA 23230 804-359-7777

Submitted by Elvistra

The Triple, located across from the Channel 6 News Station on W. Broad Street, has come a long way in the last few months. The term “pool hall” might be a little dated, but the Triple, previously known as “The Triple Triangle” has no intention of abandoning its roots. It started as a billiards room complete with neon sign above the door in the shape of brightly colored pool balls and has not changed much apart from the fact that it is quickly becoming THE place to go to see live bands perform.

Community Chest Booking, run by Danny Ingram and Tiffany Cale, are responsible for booking all the local and national acts that perform at the Triple and it is not unusual to see two or three bands in one evening. The cover is always minimal and considering the quantity and quality of the entertainment, you are getting a major deal.

The atmosphere is also pleasant to the eye thanks to local art displayed on the walls to promote local artists who want to show and sell their art. I have had several friends show there and it is a wonderful way to support artists.

Then, you can always play pool. The back room is spacious and filled with pool tables and eager pool players. It is unusual to see an empty table until very late in the evening.

So, there is your “Triple Threat”, music, art and billiards. Take your pick or enjoy them all. The bar ain’t bad either. The bar staff is wonderful and friendships are made early on if you are a regular, which I have to say, I have become. The door men give me a hug and the bartenders brilliantly know what I want before I ask for it. It’s a win win situation people. I heart The Triple. You will too.



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Wednesday, January 28, 2009

WELCOME TO THE JUNGLE!

CASHMERE JUNGLE LORDS @ 3RD WAVE PLAY THE TRIPLE, 1/23/09
Submitted by Cindy Johnson

The show last Saturday was a reunion of sorts for the older, or as I like to call us, “seasoned” crowd of local RVA. Everyone seemed to know someone in one of the bands playing that night because we’ve all been around long enough to know everybody and their friends.

Local band 3rd Wave started the evening off with two sets of hypnotic instrumentals that I normally tune out. Music just isn’t the same without lyrics. But this band made me stop and pay attention immediately because they were playing some of my favorite songs without lyrics and I was so impressed I forgot my judgmental ways and swayed to the music as if no different. I also don’t flock to hear surf music, but I’m beginning to wonder what “surf” is really all about.

I’ve never known an instrumental surf band to play “Walk the Line”, “Whiter Shade of Pale”, or the sexiest version of “Rumble” I’ve ever heard. Then again, I usually am not there to witness, so I have to say if this is what surf music is, I have been converted.

3rd Wave Band Members: Casey Cash – guitar
John Haynor – guitar
Joe Mitchell – bass
Bob Walden - drums

Band website: 3rd Wave


The Cashmere Jungle Lords played the second half of the evening and it had been many years for this “seasoned” Richmonder since she had seen CJL, but I won’t wait as long next time.

The Cashmere Jungle Lords are a well know band in Richmond. They have paid their dues, spent a lot of time playing musical chairs with their band members, but they always seem to come back bigger and better than ever. The band originated over 21 years ago migrating to Oregon Hill to create their unique sound. Of all the bands CJL played with over the years, I have to say opening for The Who in 1998 must have been at the top of their list.

The band describes their sound as “Southern Fried Salsa Surfabilly”. Okay. I’ll accept that. Singer Dominic Carpin is also described as the inventor of “amp surfing”. That’s where you lost me, but all I know is the music is a little rock, a little rockabilly, a little surf, and a whole lotta fun. Did I mention they write their own material and if you knew the guys involved, that makes for some interesting songs. Seeing both of these bands among old and new friends made for another wonderful event at the Triple.
Keep it up Danny and Tiffany, you are making some special memories!

Cashmere Jungle Lord Band Members: Dominic Carpin – guitar & vocals
John Dacey – bass, acoustic guitar & vocals
Todd Woodson – drums
John Moore – percussion

Band Website: Cashmere Jungle Lords







***************************************



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Saturday, January 17, 2009

ELVIS’ BIRTHDAY BASH @ THE PLAZA BOWL FEATURING WRENN MANGUM AND HAMBURGER JAMES

JANUARY 9, 2009

Elvis Presley would’ve turned 74 on January 8, 2009, so to celebrate, my friends Wrenn Mangum and Hamburger James paid tribute the best way they knew how. By performing a live show at the ever trendy Plaza “Duckpin” Bowl and the result was heartwarming and rockin’!

Wrenn Mangum is known for his love of the King and his massive collection of Elvis songs which he performs solo to perfection. Wrenn doesn’t have to look like Elvis, or even sound exactly like Elvis, because his spiritual connection to Elvis is so strong that you FEEL Elvis and that is the highest compliment I know to give any performer that dares to mess with the King. I was raised on Elvis and saw him live when I was a kid at the Richmond Coliseum in 1974 & 1976 and I know how it feels to feel Elvis, and when Wrenn is performing, Elvis is in the room and he is smiling. Wrenn is the real deal and if you love Elvis or any 50’s music, you should see Wrenn perform at any cost (which is usually a few bucks if anything), because he will haunt you and you will become addicted to the lovely ghosts that surround him when he performs.

Hamburger James’ band members span from here in Richmond all the way to Northern Virginia. I think I saw the first show they did in Richmond and they have come a very long way from playing Rocks in the freezing cold patio bar and very few people brave enough to handle the cold and uncomfortable set up. But I was there and I said to myself, this band gets it. They know what it means to be true rockabilly. They know it takes more than an upright bass to sound rockabilly. You need heart and you have to eat, sleep and drink the music and Hamburger James fulfills all my rockabilly dreams. Their original material is funny, sweet and well written. The ballad “Are You The One” is very tender and intense, and on the other end you have “Rumble Tonight” and “The Ballad Of Hamburger James”, which is funny and clever.

A permanent member of the Hamburger James show now includes Jennifer Vaughan who pays tribute to the late great Janis Martin, who the band was fortunate enough to perform with on her last trip to Richmond before her untimely death. I’m hoping Jen will become a bigger part of the shows and sing more. She and husband vocalist Andy are quite a pair together, quite reminiscent of June and Johnny.

Hamburger James is: Andy Vaughan – lead vocal, rhythm guitar
Jennifer Vaughan – vocals
Bill Pettus – drums
Slawdaddy – electric guitar
Will Armstrong – “Dog House” bass

You can look for Hamburger James’ newest CD, “Last Plane to Memphis” on their website: hamburgerjames
Wrenn’s CD is available on his website: wrennmangum

Writen by Cindy Johnson aka Elvistra
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Tuesday, December 9, 2008

THE ARKHAMS @ THE TRIPLE

THE ARKHAMS @ THE TRIPLE, DEC. 5, 2008
SUBMITTED BY ELVISTRA


The Arkhams played the Triple Friday, Dec. 5, 2008. They were a visiting band from NYC. I already had plans to see another show that night but changed my mind after my trusted friend at Community Chest Booking sent me the bands link to check them out knowing I would be instantly attracted to the fact that they were rockabilly with a twist. By now you all know I am a sucker for an upright bass, so on to the Triple I went and had a salty shakin’ time!

The official Arkhams Bio states that the three piece band is from Queens, New York, and has been quoted as favoring music ending in “-abilly”. They are not your typical rockabilly band. They have a unique sound and are clever enough to play covers that I have never heard of, thinking they were also original material, which makes them extremely talented and versatile for their young years.

Even the bands name is not what you think, unless you read H.P. Lovecraft or Batman comic books. The band formed in 2006 as a side project. They have played with The Meteors (nice belt, Sean), The Koffin Kats, the Chop Tops, Al & the Black Cats & Sasquatch & the Sick-A-Billys. The Arkhams are a relatively new band, but not new to the music scene. Also worth noting is bass player, Matt the Knife, was the winner of the 2007 Heavy Rebel Weekender Upright Bass Slapdown.
And trust me kiddies, he is one speedy string slapper. Like I said, I’m a sucker for an upright bass.

Their full length CD “The Road to Arkham” is now available. Go to www.myspace.com/thearkhams to purchase the CD as well as cool merchandise such as purple bottle opener keychains and green compact mirrors.

Their songs include, “Road to Arkham”, “3 Months, 2 Weeks and @ Days”, “Next Time You See Me”, “She’s Got the Power”, “Hell’s Where All the Good Records Are”, “Revenge”, and “Sally Jones”. The vocals are traded and combined so you never know who you will be hearing on each song, which is a compliment to the band that they can all play and sing at the same time-LOL.
That being said, I had a blast discovering new talent at the Triple, and although visiting RVA, I think I convinced the band to visit us again soon. Very Kool Kitty Kats!

Band Members:

Bobcat – guitar, vocals

Matt the Knife – upright bass, vocals

Seanzi Dirtbag – drums, vocals





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Monday, October 20, 2008

DALE WATSON & THE LONE STAR BAND

DALE WATSON & THE LONE STAR BAND @ SHENANIGANS, OCT. 13, 2008

Submitted by Elvistra


Dale Watson is one of country music’s true remaining outlaws. His name is usually included in the company of the other outlaws, Merle, Johnny, Lefty, Willie, etc. Dale Watson flies just under the radar and his fans wouldn’t have it any other way. He doesn’t gauge his career by the country music industry’s standards. He plays by his own rules and follows his own path to a sound he has termed “Ameripolitan”. Dale defines this as original music with prominent roots influence, and he has been told “he plays country like country was when country was country. If you can follow that, you know what a huge compliment it is to be told you sing country the way it was meant to be sung, with heart and muddied philosophies and sadness like the way country music sounded when I was a kid.

As most people in Richmond last weekend, I went to the Folk Festival. I went to the Saturday performance of Dale Watson with my elbows on the stage, dead center, best seat in the house, and enjoyed about a 45 minute set of mostly newer songs. Dale played 2 shows that Saturday and another on Sunday.

As great as the folk festival show was, it was the Monday show at my neighborhood hangout, Shenanigans that I was really looking forward to. It’s Dale’s home away from home when he’s in Virginia. I knew before I walked in the door and paid the $15 cover that it would be the best show of the weekend and worth every penny. Considering how much the bands that play the National and Toads charge for their shows, the show Monday night was worth more than the price of admission.

Dale feels so at home at Shenanigans he treats everyone as either a new or old friend and will cater to you every whim, whether its pictures, autographs, shots of tequila, more shots of tequila, actually about a shot per every third or fourth song is how many I determined his “friends” brought to the stage before the first break. Dale’s fans are devoted to him, men and women alike, the gender status is split pretty much down the middle. The band played 2 sets, and with the rounds of drinks coming at such a fast pace, by the second set, things usually get interesting at a Dale Watson show, and this show did not disappoint.

The material covered was varied. Older favorites such as “Don’t Rock No Cradle”, “Exit 109”, and my personal favorite “Country My Ass” along with his special cover of my favorite artist Elvis’ “Viva Las Vegas”. The latest material covered was from “From the Cradle to the Grave” which included “Justice for All”, It’s Not Over Now” and a very interesting version of the Wizard of Oz.

After meeting Mr. Watson for the second time now, I am even more convinced that this band is one of the most loved and yet undervalued group of musicians making that great music we call country.


Band Memebers: Dale Watson - Lead vocals, guitar

Don Pawlak – Pedal steel guitar

Don Raby – 5 string fiddle

David Bowen – Drums


Band website: http://www.dalewatson.com





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Saturday, October 4, 2008

TOMMY 2 FINGERS and More @ THE TRIPLE

TOMMY 2 FINGERS & THE WHY NOTS, OCTANE SAINTS, AND THE RATS

@ THE TRIPLE, SAT. 9/27/08

The triple is getting quite a reputation thanks to the dynamic duo Tiffany Cale and Danny Ingram, who together make up Community Chest Booking, and are responsible for all the excitement at the Triple lately located at 3306 West Broad Street .

The Triple is quickly becoming THE place to be to see great shows and the location is convenient to most areas. And then there are the billiards, to which the neon sign outside boasts. A billiards room was the original theme of the Triple, but now you get two for the price of one. It’s a cool place with cool people taking care of you.

This Saturday night was no exception. The place was packed by the time I got there around 9:30, which told me that this was going to be a good night. Three bands performed, Tommy 2 Fingers and the Why Nots, Octane Saints, and The Rats. These bands consisted of some of the most respected musicians Richmond has to offer, and some of them I had crushes on when they were just little pups starting out back in “the day”. Okay, so I still have crushes on them, but I enjoyed my little nostalgic moment and got back to business.

The opening band was TOMMY 2 FINGERS AND THE WHY NOTS. Formed from various local bands such as Lilly Liver, Blind Brain, Sugar Creek and Uphill Down, this trio uses their punk roots together with cheeky lyrics to express their quoted “I don’t give a ….. attitude” of the genre. With songs like “All my Friends Are Dead”, “Great Personality”, “Kelly Went Gay”, and “Lapdance In Paradise”, you can conclude these guys don’t take themselves too seriously, and that’s pretty refreshing in this all consuming rock star world.

The band has written and recorded an album and is working on the second release.

You can visit Tommy 2 Fingers website at: www.tommy2fingers.com

Band Members: Joey Lasagna -guitar, vocals

Johnny Bactine – bass & background vocals

Danny Crucial – drums @ background vocals



The second band up was the OCTANE SAINTS. For me personally, the Octane Saints experience was like going back to the days when guys really enjoyed playing music together and it was always reflected in the music. This set was a joy from beginning to end. The band formed in 2001 collecting a fan base ranging from rock purists, punks, rockabilly and more. They have become regulars at various rock and roll festivals such as The Heavy Rebel Weekender and Elvisfest.

The songs from the band are no frills and catchy with titles such as “Grind”, “Daddy’s Trash”, “Tear the Meat off the Bone”, “Jailbait”, “Kitty”, “Hell Yeah”, and “Drinkin” which was a special favorite. It was a set I didn’t want to end, but I got some good butt shakin’ in for exercise.

Band Members: Jay Thurman – guitar, vocals

Rock Koplin – guitar, vocals

Tom Strel – bass

Scott Schuppert – drums

Band website: www.octanesaints.com, or www.myspace.com/octanesaints



The headlining band was THE RATS, who is mostly based in Norfolk , VA. One of my old crushes was on guitar player Dan-O, previously of Mudd Helmet, Rocket 69 and Adam West. It was kinda weird seeing how older and mature he is now. Okay, we’re old, but, damn these guys can still play.

Thanks to Jeff, the bass player, I got a brief history of The Rats. Apparently, the guitar player Eric got together with bass player Jeff and started a Ramones tribute band. It didn’t take long for them to want more and they started writing their own songs and became The Rats. They played Baltimore , D.C. , Richmond , the Outer Banks, and after a string of lead guitarists and drummers including Joey and Shon of Reverend D-Ray and the Shockers, their current drummer, Matt came along. They were led to Dan-O’s recording studio and they spent three days recording there first album, “Rats Ass”. Eventually their lead guitarist had to leave the band and Dan-O played guitar on several of the tracks they recorded for the album. Dan-O expressed an interest in joining the band and the rest is The Rats history.

The punk influences on their songs, such as “Norfolk city Rockers”, “Sellin Honey”, “Rats Ass”, Rock & Roll You Over”, “Cathcin’ Flies”, and “Sick of Being your Dog” (my personal favorite), is so strong there was actually moshing to be had in front of the stage. Yes, beer was spilled, people fell down, equipment was compromised, and the vibe was pure electricity. You couldn’t ask for anything more.

Band members: Eric – guitar, vocals

Dan-O – guitar

Jeff – bass

Matt – drums

Band website: www.snakeoilrecordings.com, www.myspace.com/thenorfolkrats


To wrap up I will just say I had a great time seeing old friends and listening to kick ass music and hope these bands continue to play and flourish, because they deserve it. Nuff said. Elvistra signing out.



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Friday, September 26, 2008

BLACK CASH AT THE TOBACCO COMPANY

BLACK CASH AT THE TOBACCO COMPANY, SAT. SEPT. 20, 2008



Black Cash will say they are a Johnny Cash tribute band. But that is only partially true. The band does much more than throw out familiar Johnny Cash cover songs.
Black Cash carefully chooses songs that entertain, make you want to dance and holler, and also appreciate the more emotional ballads of Johnny Cash that represents the real heart of the man.

Johnny Cash himself spent the latter years of his career covering some very clever songs such as “Rusty Cage” by Soundgarden, “Rowboat” by Tom Petty, and the most popular release before his death, “Hurt”, by Nine Inch Nails. The other half of the songs covered range from both Hank Williams Jr. and Sr., Steve Earle, and alternative group Ween.

So, just as Johnny paid tribute to those he admired, Black Cash pays tribute to the Man in Black with both talent and taste, and there is no question that J.C. would be very touched by the love and dedication that goes into Black Cash and their fans.

As for playing The Tobacco Company, not much has changed in the two years they have been performing weekends there. The crowd ranges from young clubbers and yuppies to older “shockoe slippers” to the people there by accident that stay because they remember when they used to play their Johnny Cash songs on vinyl albums. It makes for an interesting crowd every time and they all have one thing in common, love for country music the way is used to be, proud with no apologies. Thanks Black Cash for keeping the “Family Tradition”.

Black Cash Band:

Matte Black: vocals
Jimbo Black: Lead guitar (electric)
Nathaniel Black: Lead and rhythm guitar (electric)
Damienne Black: Rhythm guitar (acoustic and electric)
Nickodeemus black: Drums, percussion
Jeramiah Black: Bass guitar

Band website: Black Hash Band












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JOE BUCK YOURSELF

JOE BUCK YOURSELF @ THE TRIPLE, SUN. SEPT. 21, 2008


To some, he’s Hank III’s jumpsuit wearing scary looking upright bass player, to others, he’s just plain scary, but to his fans, he is Joe Buck Yourself, Mutherf@#$er!
Mr. Buck was a one man band Sunday night at the Triple. No Hank III, no upright bass, no huge arena, just one man, one guitar and good ol’ spit, grit and down home hillbilly hellraisin’.

Before the first song was even played, Joe Bucks crowd of disciples were commanded to move up to him as close as possible to feel every ounce of energy and get lost in his evil stare while he took you on his journey of heaven and hell, angels and demons, love, hate, and rage.

Joe Buck songs are not for the meek or timid. His driving rhythms and lyrics are just as intense and disturbing as his persona. The songs performed for hungry crowd included “Hillbilly Pride”, “The Devil is on His Way”, “Planet Seeth”, “Bitter is the Day”, “Music City’s Dead”, and “Are you my Enemy”, which closed out the show and as Joe Buck Yourself stood up and thanked everyone for coming to the show and being such a good crowd, I saw the other side of Joe Buck. He was polite, and downright endearing.

The other exciting element of the show was that the entire set was video taped for Joe Bucks website and to be put on Utube. I took my own video of the last song from my camera and am proud to say it is kicks ass. The crowd participation will be one for the history books.

His fans are the real deal. Joe Buck is an outlaw, and I’m a sucker for an outlaw. It was my first show of Joe Buck’s, but it won’t be my last. After the show we were outside the club helping to load out and a fan asked Joe Buck to play a song on his banjo. Instead of blowing the guy off and getting into his huge RV and getting on the road, we all got to share a special performance of Joe Buck sitting on the curb in the alley behind the club playing banjo to please one fan. To this southern girl, That’s Hillbilly Pride!








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Tuesday, September 16, 2008

BLACK ROSE WITH SPECIAL GUEST BRITTANY O’NEIL

BLACK ROSE WITH SPECIAL GUEST BRITTANY O’NEIL @ GRANDPA EDDIE’S SAT. SEPT. 13

Submitted by Elvistra


I haven’t had a chance to do a review in a few weeks, so this article was a special treat and covers two acts that are dear friends and literally cover two generations both in age and music style.

Black Rose played two engrossing sets for the evening, as Grandpa Eddies is a family restaurant/bar and closes early.

Black Rose is: Jean Labelle: vocals, guitar and harmonica
Andre Labelle: percussion
Stevie Gentile: bass

The band originally formed in the same elementary school I actually attended. Their bass player and good friend, Bruce Henn, was taken from us in a fatal car crash early on, and the future of Black Rose seemed uncertain. As time passed they added Stevie G to play bass, knowing Bruce would’ve lovingly approved. Black Rose was now reincarnated, rejuvenated and ready to play again.

This time around, however, the sound would be acoustic, but don’t kid yourself, the power is still there thanks to the relentless Andre Labelle pounding on those drums like he did in the 80’s and 90’s with all the hair metal bands he played with, (some actually famous, like Vinnie Vincent).

The show Saturday was filled with much loved classic rock including some obscure songs you would not expect to hear. Some standard covers are Tom Petty, Bob Segar, The Beatles, Peter Frampton, David Bowie, and my personal favorite, Alice Cooper. Those are the tamer songs of the set, other songs by artists like The Rolling Stones, Aerosmith, Led Zeppelin, and The Who, really wake you up and get you out on the dance floor thanks yet again to the powerful drums of Andre and Jean and Stevie’s amped energy..

The material is nostalgic and performed with passion and class. Black Rose may have started out at my middle school’s Battle of the Band talent show, but they have matured into a very talented trio that aims to please and leaves you with great memories of songs you probably did naughty things to if you are at least over 35. And if you’re under 35, you really missed out and I have the pictures to prove it!! I guess the bottom line is Black Rose is for everyone because the music is timeless and crosses the age barrier.


That brings me to our second act of the evening, Brittany O’Neil.

Brittany is a fresh new 17 year old singer/songwriter who is nudging her way into the music field one show at a time. It doesn’t hurt that her mom is the beautiful and talented Elana of King Edward and the BD’s and formally of Steppinstone. Naturally trained vocal chords obviously run in the family and Brittany sings with a richness that is well beyond her years.

Brittany was the guest performer with Black Rose and did covers such as Jewel’s “Save Your Soul”, Ben Harper’s “Walk Away”, Janis Joplin’s “Me and Bobby McGee”, and Led Zeppelin’s “Thank You”.

Britanny also did her own original songs on acoustic guitar with such titles as “From the Balcony”, which mom Elana helped with harmonies, “An Easy Way Out”, which spoke well beyond her youth, “The Homeless Man”, and a duet with Grace DeValk called “I’ve Learned”.

Brittany’s lyrics are solid and truthful and tell a very realistic story of a girl turning quickly into a woman with a beautiful and shining future ahead of her and many, many more gigs to perform.

The support Brittany was shown by her family and friends was obvious when you looked around the room and the majority of people were 18 and under, and sang along with every word. Now that’s impressive, for a musician of any age. Congrats, kiddo, you done good.










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SPEED8LIMIT @ DADDIO’S SAT. SEPT. 13

SPEED8LIMIT (AKA RICK & ROD) @ DADDIO’S SAT. SEPT. 13

Submitted by Elvistra


Rick and Rod Hollowell are twin brothers who perform in an acoustic duo covering songs that are classic rock, country, rap, and everything else you can imagine. Rick and Rod both play guitar and sing and offer traditional and not so traditional covers. My particular favorite song of the evening was The Beastie Boys “You Gotta Fight for your Right to Party”, or whatever the title is. It gave me the boost I needed considering the bars coffee pot was broken at Daddio’s and I had already seen two acts that evening.

Some other artists Speed8Limit cover are Tom Petty, Steppenwolf, Jet, Grateful Dead, Violent Femmes, Pearl Jam, The Doors, Nirvana, The Rolling Stones, Buck Cherry (sorry I missed that one), Smashing Pumpkins, and Poison, just to give you a hint of the variety involved.

Saturday night at the newly renovated Daddio’s was a typically crowded one with some patrons playing pool in the back, others hanging out at the bar, and some dancing to the band. I became one of those dancers toward the end of the evening, which doesn’t usually happen, but the positive and fun energy Rick and Rod threw out was contagious and I left on a happy note, looking forward to catching another show very soon.

Upcoming shows for Speed8Limit will be posted on my October Events Schedule





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Monday, August 11, 2008

Scott H. Biram at Iota Club

Scott H. Biram at Iota Club, NOVA
Thursday, August 7, 2008
By: Cindy Johnson
aka Elvistra

Scott H. Biram , known by his fans as the “Dirty Old One Man Band”, played to an anxious crowd at the Iota Club in NOVa last week. Mr. Biram is indeed a one man band.

He plays a very beat up 1959 Gibson guitar, mouth harp, has an impressive and colorful array of effect pedals, three microphones bound together with tape and cables, and a chair where he stays seated to make use of his special amplified left foot pedal which furthers the sound effects Biram incorporates into his one man show.


The vocal sound that Biram projects makes him sound like an old blues singer from the swamp, when in reality Scott Biram looks to be in his early thirties. We got to the club early and the friend I traveled with knows Biram quite well which allowed me chance to hang out with him a while before his set started and listen to funny stories about his escapades on the road, and the random people he has met along the way. Biram seems to be your average country boy from Austin , TX , who loves his family and shops at Wal-Mart.


Biram also knows what it is to suffer. He was nearly killed in 2003 when his car was struck head on by an 18 wheeler. He survived certain death and has been celebrating life ever since.


Scott Biram’s music is gritty and soulful and makes you feel a certain pain and anger followed by laughter and hope from up above. Biram attacks all your emotions at once and that is what truly makes his performance memorable.


Songs like “Blood, Sweat and Murder” evoke the aggression of punk and metal, while keeping it’s hillbilly, country and blues roots. It’s something for everyone and his true story ballads like “Sweet Thing” validates what a versatile writer he is, and, although it shows a softer side of Biram, he also lashes out when hurt and the audience feels every part of it.


I guess the coolest thing about Scott H. Biram is that you leave one of his shows feeling like you just made a friend for life. I know the next time I see him, he will remember me as “Miss Cindy” and it will be a wonderful evening. Scott doesn’t know when he will be able to make it to Richmond again, but at least he know he’s wanted.


You can visit Scott H. Biram’s MySpace site listed under: Scott H. Biram, or visit his personal website at ScottBiram.Com. He has very cool merchandise and CD’s for sale on both sites.


Check out some photos:











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The Dregs at Banditos

The Dregs at Banditos
Wed. August 6, 2008
By: Cindy Johnson
aka Elvistra


This is my first entry for MusicRVA. I am very excited to have my first local band review be for a local band that I truly respect and admire and am proud to call my friends.

Last night the Dregs played two energetic sets at the newly-rejuvenated music venue Banditos on Patterson Ave. in the fan. That’s’ right, Banditos means live music once again and not a moment too soon. It’s becoming considerably difficult to get local bands booked in good ol’ RVA, and having a venue like Banditos open to booking local musicians is very exciting for the bands and the fans.

As for the Dregs, who began their musical journey in 2006, they turned out a small but mighty crowd and gave the audience their sweaty best. This bands ability to combine the past and the present of covers and originals is addictive and their original songs are filled with lyrics and beats that make you laugh and pump your fist at the same time.

Writing partners Kim Schneck and Bruce Smith have an uncanny ability to put lyric and music together to make you think you must be listening to an old blues or rockabilly song you never knew existed. The material is clever and catchy.

When you combine Bruce’s “swamp blues” guitar licks, Hank slapping the upright bass, Blee pounding the drums, and Kim singing with the energy and passion of the late great Janis Martin, you just can’t resist getting out of your chair and dancing and slapping your knee to the best local music Richmond has to offer.

The Dregs next show will be in September at Poes Pub and if you like the sounds of rockabilly swamp blues, you better be there!


The Dregs have a new CD entitled “River City Rock and Roll” for $5. See there website for details.

The Band:

Kim Schneck Frauerbach – lead vocals

Hank Frauerbach – upright bass, vocals

Bruce Smith – Lead guitar, vocals

Blee Child – percussion, vocals

Band website: RiverCityRockAndRoll.Com













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